Carte blanche aux chorégraphes-maison de l’Opéra de Paris

Paris Opera Ballet tackles a British classic with aplomb but needs to delve deeper into the quintessentially British humour and charm.

A marriage of Greek Mythology and American minimalism in Simone Valastro's new creation for the Ballo del Teatro dell'Opera di Roma. 

La Fille mal gardée est une comédie haute en couleur mais aussi ballet virtuose, où les variations s’enchaînent allègrement. Pour cette reprise, la performance théâtrale des interprètes de l’Opéra de Paris, particulièrement débridés dans les seconds rôles, est remarquable.

Another evening of enjoyable and diverse dance although the most complete and satisfying work was the revival from ten years' ago 

Lang’s choreography lacks the hectic drollness and biting originality of Tharp’s, and while accessible it is also sweeter and blander.

An augmented reality app, film, photos, and a diverse live triple bill feature in Queensland Ballet's latest celebration of emerging and experimental choreographers and artists.