La bohème de Puccini revisitée par une mise en scène exceptionnelle et moderne de Laurent Laffargue

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale. 

The Opéra de Lyon presents Britten’s masterpiece for the first time: a triumph, both visually and musically, which is received with great enthusiasm by the audience.

A new production of Les Enfants terribles at the Opéra de Lille drags the audience into a terribly marvelous labyrinth, courtesy of conductor Virginie Déjos and directors Matthias Piro and Lisa Moro.

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary. 

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

Mozart's teenage comedy is more complicated then Figaro but is easy on the ear, with many opportunities for a young cast to shine.