Show pour Les Saisons : Renaud Capuçon électrise les Sommets musicaux

By Tristan Labouret, 11 February 2020

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“une performance colossalement investie”

Reviewed at Saanen Church, Saanen on 8 February 2020

Vivaldi, The Four Seasons (Il cimento dell'armonia e dell'inventione), Op.8 no. 1-4

Renaud Capuçon, Violin

Lausanne Soloists

Ligeti shines at Disney Hall under Gimeno's baton

Laurence Vittes, 14th December

Renaud Capuçon adds a degree of theatricality to his Mozart with the Los Angeles Philharmonic.

***11

A masterclass in concert form: Yo-Yo Ma inspires in Gstaad

David Karlin, 31st January

Watching Ma inspire younger musicians is an extraordinary experience. Renaud Capuçon conducts an entertaining if imperfect Eroica.

****1

A triad of trios: Capuçon, Hagen and Levit play Brahms at Wigmore Hall

Mark Valencia, 4th May

Renaud Capuçon brings his customary taste, refinement and intellect to music he has played many times over the years with a variety of partners – here Julia Hagen and Igor Levit.

****1

To the stars with the stars at the Sydney Symphony season opener

Zoltán Szabó, 28th February

A powerful season-opening concert featuring Renaud Capuçon playing the Australian premiere of Camille Pépin's Violin Concerto Le Sommeil a pris ton empreinte.

****1

Opposites attract: Ticciati conducts a Pépin premiere in Berlin

Elena Luporini, 15th October

Camille Pépin's Le Sommeil a pris ton empreinte, a violin concerto dedicated to Renaud Capuçon, receives its German premiere.

*****

Starry Night: French violin sonatas at the Festival Ravel

Mark Valencia, 29th August

Sonatas by Ravel frame Renaud Capuçon and Jean-François Heisser's recital in the Basque seaside town of Saint-Jean-de-Luz.

***11

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Tristan Labouret

Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.