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Début de saison mitigé pour le Belgian National Orchestra et Antony Hermus à Bozar

Antony Hermus dirige le BNO à Bozar
© Marin Driguez
By Patrice Lieberman, 15 September 2024
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“Van Parys montre sa capacité à tirer de chatoyantes couleurs de l’orchestre”
Reviewed at BOZAR: Main hall, Brussels on 13 September 2024
Programme
Van Parys, Eco... del vuoto
Prokofiev, Piano Concerto no. 3 in C major, Op.26
Strauss R., Ein Heldenleben (A Hero's Life), Op.40
Performers
Belgian National Orchestra
Antony Hermus, Conductor
Boris Giltburg, Piano
More Concert reviews
A performance of contradictions from the Belgian National Orchestra
Clare Varney, 25th July
Antony Hermus searches for menace and intrigue in the BNO's programme in Amsterdam's Concertgebouw. 
***11
Saint-Saëns crowns the Belgian National Orchestra's Manchester visit
Rohan Shotton, 7th November
Roberto González-Monjas conducts the Belgian National Orchestra, joined by Paul Lewis, in Manchester's Bridgewater Hall.
****1
Russian delights with Lugansky and Kochanovsky in Brussels
Marc Haegeman, 27th September
Stanislav Kochanovsky, Nikolai Lugansky and the Belgian National Orchestra impress with an all-Russian triple bill.
****1
Mischa Maisky shines in Tchaikovsky in Brussels
Marc Haegeman, 22nd March
Think of an exhilarating journey animated by an expert guide who lives and enjoys every moment, yet makes you believe he is discovering it with you and isn’t afraid to tease you with some daredevil steps off the beaten track.
***11
Fiery Prokofiev but lacklustre Britten in Brussels
Alan Yu, 5th October
Fiery Prokofiev but lacklustre Britten with the National Orchestra of Belgium.
***11
Wrong rep sinks opera evening at the Concertgebouw
Jenny Camilleri, 12th July
Mismatching between programme and performers resulted in a disappointing evening of operatic all-time favourites.
**111
More reviews...
Read reviews of
Antony HermusBelgian National OrchestraBoris GiltburgEin Heldenleben (A Hero's Life), Op.40Piano Concerto no. 3 in C major, Op.26 Richard StraussSergei Prokofiev
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Patrice Lieberman
Patrice Lieberman
Pratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.