L'Opera Ballet Vlaanderen à La Villette, et la musique prend corps

Twelve Ton Rose

Piano Phase

Graciela Quintet

On Speed

By Julie Jozwiak, 28 April 2025

Loading, please wait...

See full listing

“c’est une relation fusionnelle entre ondes sonores et mouvements des corps que présente le ballet”

Reviewed at La Grande Halle, Parc de La Villette, Paris on 24 April 2025

Twelve Ton Rose (Trisha Brown)

Piano Phase / Clapping Music (Anne Teresa De Keersmaeker)

Graciela Quintet (Jan Martens)

On Speed (Jan Martens)

Opera Ballet Vlaanderen

Two classics and a world premiere from Trisha Brown Dance Company

Carla Escoda, 29th April

Magnificent dancing in Trisha Brown classics from the 1980s and in a new work by her mentee, Lee Serle, transcend less than compelling stagecraft at New York’s Joyce Theater.

***11

Four postmoderns and a newcomer: New York Theatre Ballet at Judson

Carla Escoda, 25th April

At a time when small dance companies in the United States appear to be perched on a live volcano, the tiny, distinguished New York Theatre Ballet recalls the revolutionary postmoderns.

*****

Trisha Brown Dance Company: a return to pure dance at its best

Graham Watts, 13th March

Trisha Brown Dance Company in a programme that focused on dance rather than visual effects.

****1

A study on falling: the Trisha Brown Dance Company and Noé Soulier

Katja Vaghi, 23rd January

The Trisha Brown Dance Company closes the Performing Arts Season 2024/25 at the Haus der Berliner Festspiele with Glacial Decoy.

****1

Trisha Brown: in Plain Site

Jeff Slayton, 10th March

The Trisha Brown Dance Company's "In Plain Site Los Angeles" demonstrated how dance can beautifully reflex the art and sculture surrounding it.

*****

Alvin Ailey Dance Theater

Wiebke Schuster, 3rd April

Alvin Ailey American Dance Company in their annual residency at UC Berkeley’s Zellerbach Hall

****1

More reviews...

Julie Jozwiak

Après des études en lettres et musicologie ainsi qu’un master d’école de commerce, Julie Jozwiak s’est consacrée à la production de concerts classiques. Elle est harpiste, choriste et violoniste, mais se définit surtout comme mélomane passionnée, et affectionne aussi beaucoup la danse classique qu’elle a longtemps pratiquée. Son amour inconditionnel du spectacle vivant l’incite à se rendre quasi quotidiennement au concert, à l’opéra, au ballet, au théâtre… ou à tout autre type de performance scénique.