L’orgue latin de Davide Paleari

By Emmanuel Bernier, 15 October 2018

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“Le port altier, les doigts bien déliés, l’organiste joue avec assurance et application”

Reviewed at Église Saints-Martyrs-Canadiens, Quebec on 14 October 2018

Elgar, Imperial March for orchestra, Op.32 (arr. G. C. Martin)

Ravanello, Thème et variations en si mineur

Guilmant, Organ Sonata no. 7 (extrait)

Guilmant, Scherzo symphonique op. 55 no. 2

Vierne, Symphony no. 2 in E minor for solo organ, Op.20 (extraits)

Widor, Organ Symphony no. 7 in A minor (extraits)

Davide Paleari, Organ

Hilary Hahn’s French odyssey of refinement and fire in Dublin

Andrew Larkin, 14th May

Two technical mishaps punctuate the evening, but Hilary Hahn maintains poise throughout a French programme crowned by a finely judged, deeply expressive performance of Fauré.

****1

Frank Dupree's Liverpool debut has the audience crying out for more

Glyn Mon Hughes, 14th May

A concert celebrating the 250th anniversary of the USA saw Liverpool audiences treated to a sumptuous Copland as well as a symphony as well as a barn-storming performance of Gershwin and Duke Ellington, performed by Frank Dupree who was making his debut with the RLPO.

*****

Energetic Currentzis and Utopia at the Elbphilharmonie

Mengguang Huang, 12th May

From Berg’s crystalline intimacy to Dionysian Mahler, Teodor Currentzis and Utopia defy orchestral tradition with standing musicians, spatial acoustics and an emotional intensity that breathes new life into the concert life.

****1

Petr Popelka delivers a thrilling opening for Prague Spring

Frank Kuznik, 12th May

With Petr Popelka on the podium, the Prague Radio Symphony Orchestra brings a native feel and colorful exuberance to a cultural icon.

****1

Korngold and Mahler from Ray Chen, Vasily Petrenko and the RPO

Roy Westbrook, 12th May

Few violin concertos soar from the first bar as Erich Korngold’s does, especially as in Ray Chen's high-wire account at the Royal Albert Hall.

****1

Clara Yang’s immersive piano recital gets lost in the clouds

Kurt Gottschalk, 11th May

Prerecorded acoustic guitar, soft beats and more piano accompany video of jittery yellow circles and masses of illegible text in a concert that feels both meditative and too much to take in

**111

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Emmanuel Bernier

Emmanuel Bernier a étudié au Conservatoire de musique et d’art dramatique du Québec, où il a obtenu un Prix avec distinction en orgue et un diplôme d’études supérieures en chant. Il a été collaborateur au quotidien Le Soleil, en plus d’être rédacteur pour plusieurs sociétés de concerts. Il effectue présentement des études de doctorat en histoire contemporaine à l’Université Laval à Québec.