Le Quatuor Takács de passage au Concergebouw d’Amsterdam

By Arnaud Saura-Ziegelmeyer, 20 February 2017

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“le quatuor expire et inspire selon les nuances ravéliennes”

Reviewed at Concertgebouw: Recital Hall, Amsterdam on 9 February 2017

Beethoven, String Quartet no. 2 in G major, Op.18 no.2

Haydn, String Quartet in F major, Op.77 no.2

Ravel, String Quartet in F major

Takács Quartet

Takács Quartet explores folk-inflected repertoire in Cleveland

Sam Jacobson, 23rd January

At the Cleveland Chamber Music Society, the Takács Quartet collaborates with Marc-André Hamelin in works by Price and Dvořák.

***11

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

Takács Quartet shows its strengths in Cleveland

Sam Jacobson, 9th April

The Takács Quartet’s memorable performance was anchored by Grieg’s less-trodden string quartet, prefaced by works of Haydn and Shostakovich.

****1

Takács Quartet heads east in Edinburgh

Simon Thompson, 11th August

Mozart, Dvořák and Dohnányi takes listeners at the Edinburgh Festival from Prussia to Hungary.

*****

Takács Quartet and friends conquer Souvenir de Florence

Chris Garlick, 19th May

The Takács Quartet and friends pair string sextets by Tchaikovsky and Brahms at Wigmore Hall.

****1

Shedding light on inventiveness

Edward Sava-Segal, 14th October

The Takács Quartet proved once more that among the long-established American quartets they are, arguably, the most reliable.

*****

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.