Tom Pye has drawn inspiration from the magical fairytale illustrations of Edmund Dulac and Arthur Rackham with his new set designs for Frederick Ashton's Cinderella.
It was clever programming to bookend the Mariinsky’s three-week London residency with two Prokofiev full-length ballets – starting with its classic, but dated, 1940 Romeo and Juliet, and ending with the contemporary chic of Alexei Ratmansky’s Cinderella.
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