The Sleeping Beauty is perhaps the Ugly Duckling of Tchaikovsky’s three ballets. It was the second in the trilogy, completed in 1889, but has neither the dramatic thrust of Swan Lake nor the calorific sugar-coated charm of The Nutcracker in terms of popular appeal.
Roman Mejia and a raft of soloist debuts galvanized Peter Martins' Sleeping Beauty. An elegant production with some incidental messiness and the structural liability of a princess' dependence on a kiss.
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