The Sleeping Beauty is perhaps the Ugly Duckling of Tchaikovsky’s three ballets. It was the second in the trilogy, completed in 1889, but has neither the dramatic thrust of Swan Lake nor the calorific sugar-coated charm of The Nutcracker in terms of popular appeal.
It’s alright, sometimes, for a classic to own the fact that it is a cliché. The Pennsylvania Ballet’s performance of The Sleeping Beauty, directed by Angel Corella was a lovely, lush but unsurprising presentation
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