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Die Zauberflöte

Gran Teatre del Liceu: AuditoriumLa Rambla, 51-59, Barcelona, Cataluña, 08002, Spanien
Datum/Zeit in Madrid Zeitzone
Montag 05 Juli 202719:30
Dienstag 06 Juli 202719:30
Mittwoch 07 Juli 202719:30
Donnerstag 08 Juli 202719:30
Mittwoch 14 Juli 202719:30
Sonntag 18 Juli 202717:00
Montag 19 Juli 202719:30
Dienstag 20 Juli 202719:30
Mittwoch 21 Juli 202719:30
Freitag 23 Juli 202719:30
Weitere 5 Veranstaltungsdaten anzeigen
Programm
Mozart, Wolfgang Amadeus (1756-1791)Die ZauberflöteLibretto von Emanuel Schikaneder
Darsteller
Gran Teatre del Liceu
Josep PonsMusikalische Leitung
Marcos MorauRegie
Max GlaenzelBühnenbild
Silvia DelagneauKostüme
Bernat JansaLicht
Orquesta Sinfónica del Gran Teatre del Liceu
Coro del Gran Teatre del Liceu
Roberto FratiniDramaturgie
La Veronal
Pablo AssanteChorleitung
Jack SwansonTenorTamino2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Ben BlissTenorTamino2027 Jul 06, 08, 18, 20, 23, 25, 28
Sara BlanchSopranPamina2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Chelsea ZurflühSopranPamina2027 Jul 06, 08, 18, 20, 23, 25, 28
Serena SáenzSopranKönigin der Nacht2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Alina WunderlinSopranKönigin der Nacht2027 Jul 06, 08, 18, 20, 23, 25, 28
Carles PachónBaritonPapageno2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Jan AntemBassbaritonPapageno2027 Jul 06, 08, 18, 20, 23, 25, 28
John RelyeaBassbaritonSarastro2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Alex RosenBassSarastro2027 Jul 06, 08, 18, 20, 23, 25, 28
Patricia CalvacheSopranErste Dame
Gemma Coma-AlabertMezzosopranZweite Dame
Ana Victória PittsMezzosopranDritte Dame
Albert DohmenBassbaritonSprecher
Lucía IglesiasSopranPapagena
Jorge Rodríguez-NortonTenorMonostatos2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Pablo García-LópezTenorMonostatos2027 Jul 06, 08, 18, 20, 23, 25, 28
Albert CasalsTenorErster Priester, Erster Geharnischter
Jeroboám TejeraBassZweiter Priester, Zweiter Geharnischter

In this new production by Marcos Morau, choreographer and founder of La Veronal, and with Josep Pons, in his new role as honorary music director, at the helm of the orchestra of the Liceu, The Magic Flute is presented as an exceptional event: a stage utopia in which music and image intertwine to build a bridge between opposing worlds.

The wonder of Wolfgang Amadeus Mozart is much more than an initiatory tale dressed in fantasy. Among enchanted animals and ritual trials unfolds a symbolic universe in which the sacred and the profane coexist, confront each other and transform. The journey of Tamino and Pamina is a spiritual crossing: they overcome fears, silences and mirages to reach a form of knowledge that illuminates from within. In Sarastro’s solar temple, reason, wisdom and fraternity stand as ideals that order and liberate; each step of the ritual is a metaphor for the ascent of the soul from darkness toward discernment.

But no light exists without shadow. The Queen of the Night embodies the wounded force that becomes a storm, an ancient power transformed into vengeance. Her aria —as fascinating as it is abyssal— is a sacrilegious act: the order to kill in the name of filial love, where female authority ceases to protect and becomes destructive.

With his visionary music, Mozart turns this opera into a true secular liturgy. Even Papageno, with his radiant innocence, participates in this tension between desire and discipline, play and faith.

In the choreographic vision of Marcos Morau, the tale is reborn as an adult narrative that reminds us that the path of light always crosses shadow; that knowledge is never inherited, but conquered. And with the inspiring direction of Josep Pons, The Magic Flute culminates in an apotheosis of redemption: what seemed caricature becomes symbol, and what seemed magic is revealed as inner truth.

Die Zauberflöte