| lundi 05 juillet 2027 | 19:30 |
| mardi 06 juillet 2027 | 19:30 |
| mercredi 07 juillet 2027 | 19:30 |
| jeudi 08 juillet 2027 | 19:30 |
| mercredi 14 juillet 2027 | 19:30 |
| dimanche 18 juillet 2027 | 17:00 |
| lundi 19 juillet 2027 | 19:30 |
| mardi 20 juillet 2027 | 19:30 |
| mercredi 21 juillet 2027 | 19:30 |
| vendredi 23 juillet 2027 | 19:30 |
| Mozart, Wolfgang Amadeus (1756-1791) | La Flûte enchantée (Die Zauberflöte) | Livret de Emanuel Schikaneder |
| Gran Teatre del Liceu | |||
| Josep Pons | Direction | ||
| Marcos Morau | Mise en scène | ||
| Max Glaenzel | Décors | ||
| Silvia Delagneau | Costumes | ||
| Bernat Jansa | Lumières | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Roberto Fratini | Dramaturgie | ||
| La Veronal | |||
| Pablo Assante | Chef de chœur | ||
| Jack Swanson | Ténor | Tamino | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Ben Bliss | Ténor | Tamino | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| Sara Blanch | Soprano | Pamina | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Chelsea Zurflüh | Soprano | Pamina | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| Serena Sáenz | Soprano | Reine de la nuit | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Alina Wunderlin | Soprano | Reine de la nuit | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| Carles Pachón | Baryton | Papageno | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Jan Antem | Baryton-basse | Papageno | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| John Relyea | Baryton-basse | Sarastro | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Alex Rosen | Basse | Sarastro | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| Patricia Calvache | Soprano | Première Dame | |
| Gemma Coma-Alabert | Mezzo-soprano | Deuxième Dame | |
| Ana Victória Pitts | Mezzo-soprano | Troisième Dame | |
| Albert Dohmen | Baryton-basse | L'Orateur (Der Sprecher) | |
| Lucía Iglesias | Soprano | Papagena | |
| Jorge Rodríguez-Norton | Ténor | Monostatos | 2027 juil. 05, 07, 14, 19, 21, 24, 26, 29 |
| Pablo García-López | Ténor | Monostatos | 2027 juil. 06, 08, 18, 20, 23, 25, 28 |
| Albert Casals | Ténor | Premier Prêtre, Premier homme en armure | |
| Jeroboám Tejera | Basse | Deuxième Prêtre, Second homme en armure |
In this new production by Marcos Morau, choreographer and founder of La Veronal, and with Josep Pons, in his new role as honorary music director, at the helm of the orchestra of the Liceu, The Magic Flute is presented as an exceptional event: a stage utopia in which music and image intertwine to build a bridge between opposing worlds.
The wonder of Wolfgang Amadeus Mozart is much more than an initiatory tale dressed in fantasy. Among enchanted animals and ritual trials unfolds a symbolic universe in which the sacred and the profane coexist, confront each other and transform. The journey of Tamino and Pamina is a spiritual crossing: they overcome fears, silences and mirages to reach a form of knowledge that illuminates from within. In Sarastro’s solar temple, reason, wisdom and fraternity stand as ideals that order and liberate; each step of the ritual is a metaphor for the ascent of the soul from darkness toward discernment.
But no light exists without shadow. The Queen of the Night embodies the wounded force that becomes a storm, an ancient power transformed into vengeance. Her aria —as fascinating as it is abyssal— is a sacrilegious act: the order to kill in the name of filial love, where female authority ceases to protect and becomes destructive.
With his visionary music, Mozart turns this opera into a true secular liturgy. Even Papageno, with his radiant innocence, participates in this tension between desire and discipline, play and faith.
In the choreographic vision of Marcos Morau, the tale is reborn as an adult narrative that reminds us that the path of light always crosses shadow; that knowledge is never inherited, but conquered. And with the inspiring direction of Josep Pons, The Magic Flute culminates in an apotheosis of redemption: what seemed caricature becomes symbol, and what seemed magic is revealed as inner truth.

