Bachtrack logo

Die Zauberflöte

Gran Teatre del Liceu: SalaLa Rambla, 51-59, Barcelona, Cataluña, 08002, España
Fechas/horas en zona horaria de Madrid
lunes 05 julio 202719:30
martes 06 julio 202719:30
miércoles 07 julio 202719:30
jueves 08 julio 202719:30
miércoles 14 julio 202719:30
domingo 18 julio 202717:00
lunes 19 julio 202719:30
martes 20 julio 202719:30
miércoles 21 julio 202719:30
viernes 23 julio 202719:30
Ver 5 más fechas
Intérpretes
Gran Teatre del Liceu
Josep PonsDirección
Marcos MorauDirección de escena
Max GlaenzelDiseño de escena
Silvia DelagneauDiseño de vestuario
Bernat JansaDiseño de iluminación
Orquesta Sinfónica del Gran Teatre del Liceu
Coro del Gran Teatre del Liceu
Roberto FratiniDramaturgia
La Veronal
Pablo AssanteDirección de coro
Jack SwansonTenorTamino2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Ben BlissTenorTamino2027 jul 06, 08, 18, 20, 23, 25, 28
Sara BlanchSopranoPamina2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Chelsea ZurflühSopranoPamina2027 jul 06, 08, 18, 20, 23, 25, 28
Serena SáenzSopranoQueen of the Night2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Alina WunderlinSopranoQueen of the Night2027 jul 06, 08, 18, 20, 23, 25, 28
Carles PachónBarítonoPapageno2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Jan AntemBajo-barítonoPapageno2027 jul 06, 08, 18, 20, 23, 25, 28
John RelyeaBajo-barítonoSarastro2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Alex RosenBajoSarastro2027 jul 06, 08, 18, 20, 23, 25, 28
Patricia CalvacheSopranoFirst Lady
Gemma Coma-AlabertMezzosopranoSecond Lady
Ana Victória PittsMezzosopranoThird Lady
Albert DohmenBajo-barítonoThe Speaker (Der Sprecher)
Lucía IglesiasSopranoPapagena
Jorge Rodríguez-NortonTenorMonostatos2027 jul 05, 07, 14, 19, 21, 24, 26, 29
Pablo García-LópezTenorMonostatos2027 jul 06, 08, 18, 20, 23, 25, 28
Albert CasalsTenorFirst Priest, First Armoured Man
Jeroboám TejeraBajoSecond Priest, Second Armoured Man

In this new production by Marcos Morau, choreographer and founder of La Veronal, and with Josep Pons, in his new role as honorary music director, at the helm of the orchestra of the Liceu, The Magic Flute is presented as an exceptional event: a stage utopia in which music and image intertwine to build a bridge between opposing worlds.

The wonder of Wolfgang Amadeus Mozart is much more than an initiatory tale dressed in fantasy. Among enchanted animals and ritual trials unfolds a symbolic universe in which the sacred and the profane coexist, confront each other and transform. The journey of Tamino and Pamina is a spiritual crossing: they overcome fears, silences and mirages to reach a form of knowledge that illuminates from within. In Sarastro’s solar temple, reason, wisdom and fraternity stand as ideals that order and liberate; each step of the ritual is a metaphor for the ascent of the soul from darkness toward discernment.

But no light exists without shadow. The Queen of the Night embodies the wounded force that becomes a storm, an ancient power transformed into vengeance. Her aria —as fascinating as it is abyssal— is a sacrilegious act: the order to kill in the name of filial love, where female authority ceases to protect and becomes destructive.

With his visionary music, Mozart turns this opera into a true secular liturgy. Even Papageno, with his radiant innocence, participates in this tension between desire and discipline, play and faith.

In the choreographic vision of Marcos Morau, the tale is reborn as an adult narrative that reminds us that the path of light always crosses shadow; that knowledge is never inherited, but conquered. And with the inspiring direction of Josep Pons, The Magic Flute culminates in an apotheosis of redemption: what seemed caricature becomes symbol, and what seemed magic is revealed as inner truth.

Die Zauberflöte