| lunes 05 julio 2027 | 19:30 |
| martes 06 julio 2027 | 19:30 |
| miércoles 07 julio 2027 | 19:30 |
| jueves 08 julio 2027 | 19:30 |
| miércoles 14 julio 2027 | 19:30 |
| domingo 18 julio 2027 | 17:00 |
| lunes 19 julio 2027 | 19:30 |
| martes 20 julio 2027 | 19:30 |
| miércoles 21 julio 2027 | 19:30 |
| viernes 23 julio 2027 | 19:30 |
| Mozart, Wolfgang Amadeus (1756-1791) | La flauta mágica (Die Zauberflöte) | Libreto de Emanuel Schikaneder |
| Gran Teatre del Liceu | |||
| Josep Pons | Dirección | ||
| Marcos Morau | Dirección de escena | ||
| Max Glaenzel | Diseño de escena | ||
| Silvia Delagneau | Diseño de vestuario | ||
| Bernat Jansa | Diseño de iluminación | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Roberto Fratini | Dramaturgia | ||
| La Veronal | |||
| Pablo Assante | Dirección de coro | ||
| Jack Swanson | Tenor | Tamino | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Ben Bliss | Tenor | Tamino | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| Sara Blanch | Soprano | Pamina | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Chelsea Zurflüh | Soprano | Pamina | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| Serena Sáenz | Soprano | Queen of the Night | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Alina Wunderlin | Soprano | Queen of the Night | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| Carles Pachón | Barítono | Papageno | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Jan Antem | Bajo-barítono | Papageno | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| John Relyea | Bajo-barítono | Sarastro | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Alex Rosen | Bajo | Sarastro | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| Patricia Calvache | Soprano | First Lady | |
| Gemma Coma-Alabert | Mezzosoprano | Second Lady | |
| Ana Victória Pitts | Mezzosoprano | Third Lady | |
| Albert Dohmen | Bajo-barítono | The Speaker (Der Sprecher) | |
| Lucía Iglesias | Soprano | Papagena | |
| Jorge Rodríguez-Norton | Tenor | Monostatos | 2027 jul 05, 07, 14, 19, 21, 24, 26, 29 |
| Pablo García-López | Tenor | Monostatos | 2027 jul 06, 08, 18, 20, 23, 25, 28 |
| Albert Casals | Tenor | First Priest, First Armoured Man | |
| Jeroboám Tejera | Bajo | Second Priest, Second Armoured Man |
In this new production by Marcos Morau, choreographer and founder of La Veronal, and with Josep Pons, in his new role as honorary music director, at the helm of the orchestra of the Liceu, The Magic Flute is presented as an exceptional event: a stage utopia in which music and image intertwine to build a bridge between opposing worlds.
The wonder of Wolfgang Amadeus Mozart is much more than an initiatory tale dressed in fantasy. Among enchanted animals and ritual trials unfolds a symbolic universe in which the sacred and the profane coexist, confront each other and transform. The journey of Tamino and Pamina is a spiritual crossing: they overcome fears, silences and mirages to reach a form of knowledge that illuminates from within. In Sarastro’s solar temple, reason, wisdom and fraternity stand as ideals that order and liberate; each step of the ritual is a metaphor for the ascent of the soul from darkness toward discernment.
But no light exists without shadow. The Queen of the Night embodies the wounded force that becomes a storm, an ancient power transformed into vengeance. Her aria —as fascinating as it is abyssal— is a sacrilegious act: the order to kill in the name of filial love, where female authority ceases to protect and becomes destructive.
With his visionary music, Mozart turns this opera into a true secular liturgy. Even Papageno, with his radiant innocence, participates in this tension between desire and discipline, play and faith.
In the choreographic vision of Marcos Morau, the tale is reborn as an adult narrative that reminds us that the path of light always crosses shadow; that knowledge is never inherited, but conquered. And with the inspiring direction of Josep Pons, The Magic Flute culminates in an apotheosis of redemption: what seemed caricature becomes symbol, and what seemed magic is revealed as inner truth.

