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Die Zauberflöte

Gran Teatre del Liceu: AuditoriumLa Rambla, 51-59, Barcelona, Catalonia, 08002, Spain
Dates/times in Madrid time zone
Monday 05 July 202719:30
Tuesday 06 July 202719:30
Wednesday 07 July 202719:30
Thursday 08 July 202719:30
Wednesday 14 July 202719:30
Sunday 18 July 202717:00
Monday 19 July 202719:30
Tuesday 20 July 202719:30
Wednesday 21 July 202719:30
Friday 23 July 202719:30
Show 5 more dates
Performers
Gran Teatre del Liceu
Josep PonsConductor
Marcos MorauDirector
Max GlaenzelSet Designer
Silvia DelagneauCostume Designer
Bernat JansaLighting Designer
Orquesta Sinfónica del Gran Teatre del Liceu
Coro del Gran Teatre del Liceu
Roberto FratiniDramaturgy
La Veronal
Pablo AssanteChoirmaster / chorus director
Jack SwansonTenorTamino2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Ben BlissTenorTamino2027 Jul 06, 08, 18, 20, 23, 25, 28
Sara BlanchSopranoPamina2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Chelsea ZurflühSopranoPamina2027 Jul 06, 08, 18, 20, 23, 25, 28
Serena SáenzSopranoQueen of the Night2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Alina WunderlinSopranoQueen of the Night2027 Jul 06, 08, 18, 20, 23, 25, 28
Carles PachónBaritonePapageno2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Jan AntemBass-baritonePapageno2027 Jul 06, 08, 18, 20, 23, 25, 28
John RelyeaBass-baritoneSarastro2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Alex RosenBassSarastro2027 Jul 06, 08, 18, 20, 23, 25, 28
Patricia CalvacheSopranoFirst Lady
Gemma Coma-AlabertMezzo-sopranoSecond Lady
Ana Victória PittsMezzo-sopranoThird Lady
Albert DohmenBass-baritoneThe Speaker (Der Sprecher)
Lucía IglesiasSopranoPapagena
Jorge Rodríguez-NortonTenorMonostatos2027 Jul 05, 07, 14, 19, 21, 24, 26, 29
Pablo García-LópezTenorMonostatos2027 Jul 06, 08, 18, 20, 23, 25, 28
Albert CasalsTenorFirst Priest, First Armoured Man
Jeroboám TejeraBassSecond Priest, Second Armoured Man

In this new production by Marcos Morau, choreographer and founder of La Veronal, and with Josep Pons, in his new role as honorary music director, at the helm of the orchestra of the Liceu, The Magic Flute is presented as an exceptional event: a stage utopia in which music and image intertwine to build a bridge between opposing worlds.

The wonder of Wolfgang Amadeus Mozart is much more than an initiatory tale dressed in fantasy. Among enchanted animals and ritual trials unfolds a symbolic universe in which the sacred and the profane coexist, confront each other and transform. The journey of Tamino and Pamina is a spiritual crossing: they overcome fears, silences and mirages to reach a form of knowledge that illuminates from within. In Sarastro’s solar temple, reason, wisdom and fraternity stand as ideals that order and liberate; each step of the ritual is a metaphor for the ascent of the soul from darkness toward discernment.

But no light exists without shadow. The Queen of the Night embodies the wounded force that becomes a storm, an ancient power transformed into vengeance. Her aria —as fascinating as it is abyssal— is a sacrilegious act: the order to kill in the name of filial love, where female authority ceases to protect and becomes destructive.

With his visionary music, Mozart turns this opera into a true secular liturgy. Even Papageno, with his radiant innocence, participates in this tension between desire and discipline, play and faith.

In the choreographic vision of Marcos Morau, the tale is reborn as an adult narrative that reminds us that the path of light always crosses shadow; that knowledge is never inherited, but conquered. And with the inspiring direction of Josep Pons, The Magic Flute culminates in an apotheosis of redemption: what seemed caricature becomes symbol, and what seemed magic is revealed as inner truth.

Die Zauberflöte