| Brahms, Johannes (1833-1897) | Klavierkonzert Nr. 1 in d-Moll, Op.15 | |
| Tschaikowsky, Peter Iljitsch (1840-1893) | Symphonie Nr. 6 in h-Moll, "Pathetique", Op.74 |
| Gianandrea Noseda | Musikalische Leitung |
| Simon Trpčeski | Klavier |
| London Symphony Orchestra |
Deeply private, deeply felt: Tchaikovsky and Brahms pour out their emotions in an ardent torrent of music.
The Programme
Menacing violins open Johannes Brahms’ First Piano Concerto. His mentor, Robert Schumann, had recently attempted to take his own life, and had been committed to a sanatorium. Brahms rushed to support Schumann’s wife, Clara, but soon, tender feelings developed on both sides. The contemplative second movement was, Brahms told her, ‘a portrait of you.’
In his letters, Tchaikovsky said that the meaning of his Sixth Symphony would remain a secret from audiences. We do know one thing: by ending it not with a triumphant finale but with an intimate lament, he created new, intensely personal possibilities for the musical form.
The Performers
Simon Trpčeski’s feeling for Brahms shines through in his performances. With Principal Guest Conductor Gianandrea Noseda at the helm, the LSO burns brightly too.
'I have put my whole soul into this symphony’ – Tchaikovsky on Symphony No 6