Yevgeny Subdin, piano

Diese Veranstaltung fand in der Vergangenheit statt

Southbank Centre: Queen Elizabeth HallBelvedere Road, London, Greater London, SE1 8XX, Vereinigtes Königreich

Datum/Zeit in London Zeitzone

Programm

Haydn, Joseph (1732-1809)	Piano Sonata in B minor, Hob XVI:32
Beethoven, Ludwig van (1770-1827)	Sechs Bagatellen für Klavier, Op.126
Tschaikowsky, Peter Iljitsch (1840-1893)	Deux morceaux for piano, Op.10 (Nocturne, andante cantabile)
Chopin, Frédéric (1810-1849)	Nocturne Nr.7 in Cis-Dur, Op.27 Nr.1
Chopin, Frédéric (1810-1849)	Mazurka in B flat minor, Op.24 no.4
Skrjabin, Alexander (1872-1915)	Mazurka in E minor, Op.25 no.3
Skrjabin, Alexander (1872-1915)	Klaviersonate Nr. 9 in F-Dur, Op. 68 "Schwarze Messe"
Saint-Saëns, Camille (1835-1921)	Danse macabre (arr. Subdin for piano, based on Liszt/Horowitz transcriptions)
Chopin, Frédéric (1810-1849)	Ballade Nr. 3 in As-Dur, Op.47

Darsteller

Yevgeny Sudbin

Klavier

Yevgeny Sudbin, dubbed a 'wonder pianist' by The Times, offers an exciting programme built around musical links between composers.

The young Russian star begins with an expressive sonata by Haydn, and next the startling late Bagatelles Op.126 by his pupil, Beethoven.

Chopin is heard in two exquisite short pieces and Tchaikovsky in a Nocturne that shows Chopin's influence.

Scriabin was influenced by both Chopin and Tchaikovsky and his Sonata No.9 moves on to hair-raising new spheres.

Finally Sudbin presents his own adaptation of another demonic work, Saint-Saëns's Danse macabre, based on virtuoso transcriptions by Liszt and Horowitz.

Plan

An einen Freund senden

These things of darkness: Yevgeny Sudbin

Frances Wilson, 13th May

A dark thread ran through Yevgeny Sudbin’s recital at London’s Queen Elizabeth Hall, from the sombre B minor sonata by Haydn to Scriabin’s infamous “Black Mass” sonata and Saint-Saens’ virtuosic Danse macabre.

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