PSM4: Un anniversaire célébré avec brio

Von Nicolas Schotter, 31 August 2015

Laden, bitte warten...

Veranstaltung anzeigen

“van de Wiel a captivé son auditoire par sa palette de sons”

Rezensierte Veranstaltung: Cadogan Hall, London, am 29 August 2015

Boulez, Mémoriale (‘.. explosante-fixe ..’ Originel)

Grime, A Cold Spring

Boulez, Domaines

Mason, Open to Infinity: a Grain of Sand (BBC co-commission: UK Première)

Boulez, Éclat/Multiples

Michael Cox, Flöte

Mark van de Wiel, Klarinette

London Sinfonietta

Thierry Fischer, Musikalische Leitung

London Sinfonietta explodes fixed views of Boulez

Roy Westbrook, 5th October

Pierre Boulez died in 2016, but on this evidence of this exploration into …explosante-fixe…, his music will live on.

*****

Patterns in motion: Sasha Waltz & Guests dance Riley’s In C

Marat Ingeldeev, 29th April

An evening of thrilling choreography and seamless synergy between dance and music, as Sasha Waltz & Guests and the London Sinfonietta bring Terry Riley’s legendary In C to life.

****1

London Sinfonietta's ‘Hidden Voices’ lack a narrative strand

Susannah Moody, 3rd April

The London Sinfonietta blends premieres and poetry in a confusing evening at the Southbank Centre.

**111

London Sinfonietta’s spectacular exploration of Cage and Boulez

Marat Ingeldeev, 9th March

Musical cross-pollination came to life in London Sinfonietta’s electrifying performance, in a seamless blend of theatre, history and virtuosic playing.

*****

London Sinfonietta weave Love Lines with passion and drama

Christopher Woodley, 6th December

Engaging performances, including two world premieres, are served up by one of Kings Place's partners in the ‘Scotland Unwrapped’ season.

****1

Failing better, sounding again: Beckett and Feldman at the Southbank

Marat Ingeldeev, 29th November

Beckett’s theatrical precision and Feldman’s fragile soundscapes cross paths at the Southbank Centre, creating a fleeting beauty in a profound artistic dialogue.

****1

Weitere Kritiken...

Nicolas Schotter

Ancien élève du Conservatoire National Supérieur de Paris dans les classes d'Histoire de la musique et d'Esthétique, Nicolas Schotter est ancien éditeur de la version francophone du site Bachtrack. Il continue par ailleurs ses recherches musicologiques sur l'évolution des pratiques musicales liturgiques au XXe siècle.