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Ek / Forsythe / Quagebeur

Diese Veranstaltung fand in der Vergangenheit statt
Sadler's Wells TheatreRosebery Avenue, London, Greater London, EC1R 4TN, Vereinigtes Königreich
Datum/Zeit in London Zeitzone
Programm
Le Sacre du printempsMusik: Strawinsky, Igor (1882-1971)
Choreografie: Mats Ek
Blake Works IMusik: Blake, James
Choreografie: William Forsythe
Take Five BluesMusik: Verschiedene
Choreografie: Stina Quagebeur
Darsteller
English National Ballet
William ForsytheBühnenbild, KostümeBlake Works I, Blake Works I
Dorothée MergKostümeBlake Works I
Tanja RühlLichtBlake Works I
Stina QuagebeurKostümeTake Five Blues
David RichardsonLichtTake Five Blues
Marie-Louise EkmanBühnenbild, KostümeRite of Spring, Rite of Spring
Linus FellbomLichtRite of Spring
Katja KhaniukovaTänzer
Erina TakahashiTänzer
James StreeterTänzer
Emily SuzukiTänzer
Fernando Carratalá ColomaTänzer

A dazzling triple bill celebrating the creativity and innovation of contemporary repertoire.

Renowned Swedish choreographer Mats Ek creates a new work for the Company – his first for English National Ballet.

“It is a huge honour and a privilege to have Mats Ek create a new work on us”, says Tamara Rojo, Artistic Director. “He is a master choreographer with a long history of impactful and imaginative works, and I can’t wait to see him create closely with our dancers.” The piece will feature 22 performers and music played live by English National Ballet Philharmonic. More details to be announced.

This new work will be performed alongside Blake Works Ia soulful piece by William Forsythe set to seven songs from James Blake’s album The Colour in Anything. Solos, duets and intricate group formations brilliantly combine to reflect the poetic melodies and words of Blake’s music.

Completing the bill is Take Five Blues by Associate Choreographer Stina Quagebeur, which premiered last year and will be expanded for 2022. Under moody lights, dancers let loose to a jazz-inflected soundtrack, flaunting their talent and spurring each other on. As the recording of Nigel Kennedy’s arrangements of classical and jazz standards reaches its peak, so do their dancing feats.

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