Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Ešenvalds

Tartu, European City of Culture in 2024, hosts the long-established contemporary music festival, bringing together composers and and musicians from across the Baltics.

La célèbre phalange a proposé une interprétation magistrale du chef-d'œuvre de Rachmaninov, donnant dans la transparence et la précision plus que dans le sombre mystère.

Dans le cadre de son quarantième anniversaire, l’Orchestre national de Montpellier a accordé une carte blanche à son compositeur en résidence. Un concert singulier et marquant qui a su s'adresser à un large public.

The Latvian Radio Choir's 24 singers display exceptional virtuosity in the service of a varied programme of contemporary spiritual works.

An intriguing combination of three contemporary Baltic composers matched against Bach, delivered with consummate musicianship by Kremerata Baltica.

Donald Runnicles conducts the World Orchestra for Peace and BBC Proms Youth Choir at The Proms

The Latvian Radio Choir, coupled with the Sinfonietta Rīga Orchestra under the conductor Sigvards Kļava give an ethereal rendition of four contemporary Latvian composers in Riga Cathedral.

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

A patchy performance by The Chorus of Royal Northern Sinfonia in a concert following the influence of J.S. Bach on later choral composers.

Karen P. Thomas and Seattle Pro Musica offer a refreshingly original holiday concert exploring the choral music of Scandinavia and the Baltic nations.

Love and Passion provide a vibrant theme for an enterprising choral concert given by the Choir of Royal Holloway. 

After seven years at the helm, Andris Nelsons gave his last performance with the CBSO at Symphony Hall. His future in Boston is secured, but what of the CBSO?

LRC give a sublime rendition of Rachmaninov's All Night Vigil and astound with surreal vocal effects in the contemporary music of the second half. 

Living in the city is alternately an experience of exhilarating interconnectedness and one of unbearable loneliness. On the good days, you share a sympathetic smile with your fellow commuters on a packed Tube train, you trade easy banter with the cashier at the Sainsbury’s checkout, and you feed off the buzz of the crowd as you head out for a night in Shoreditch.

Alina Ibragimova barely glanced up from her score during her Bach concerto with Britten Sinfonia last night, and the result was some of the most intense, beautiful music-making I can recall hearing.

The Koorbiënnale in Haarlem is a biannual festival, organized for the sixth time this year. The opening night consisted of four exciting modern pieces and the world premiere of a new work by the Latvian composer Ēriks Eŝenvalds. The first piece played was Daan Manneke’s Topos for chorus and harmonium. It is a song cycle set to four poems by Arthur Rimbaud.