Bach goes Baltic: Kremerata Baltica at the Elbphilharmonie

Von Alexander Hall, 13 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

“This is mysterious, mystic, magical music, and moreover with the power to move”

Rezensierte Veranstaltung: Elbphilharmonie: Großer Saal, Hamburg, am 12 November 2018

Vasks, Symphony for strings, "Voices"

Bach, Cembalokonzert Nr. 1 in d-Moll, BWV1052

Sumera, Symphōnē for orchestra and percussion

Bach, Partita für Violine Nr. 2 d-Moll, BWV1004: Chaconne

Ešenvalds, Okeāna balss

Iveta Apkalna, Orgel

Kremerata Baltica

Two to tango: Gidon Kremer celebrates Piazzolla in Prague

Frank Kuznik, 22nd November

With superb support from Kremerata Baltica and a smart set of soloists, Gidon Kremer continues a love affair that began 25 years ago.

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From tangos to Viennese cafés at Hamburg's Martha Argerich Festival

Linda Holt, 25th June

Piazzolla rubs shoulders with Lanner and Kreisler at the Martha Argerich Music Festival in Hamburg's Laeiszhalle.

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Revivir la leyenda: Martha Argerich y la Kremerata Baltica

Leonardo Mattana Ereño, 26th November

Un concierto magistral, de altos vuelos, gracias a intérpretes excepcionales, Martha Argerich y la Kremerata Baltica, además de un programa interesante y equilibrado.

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Ghostly remembrances: Weinberg championed in Birmingham

Mark Pullinger, 24th November

Nearly a century after his birth, Weinberg's final completed symphony is given its UK premiere by the CBSO and Mirga Gražinytė-Tyla.

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Dépouillement et vérité chez Arvo Pärt, avec Gidon Kremer et la Kremerata Baltica à la Fondation Louis Vuitton

Manuel Gaulhiac, 31st March

Avec Fratres et Tabula Rasa, c’est un nouveau chemin qui s’ouvre à la musique. Mais plus qu’un chemin de la nouveauté, c’est le chemin d’un retour à une certaine forme de pureté de l’inspiration, qui passe dans l’écriture et la réalisation par une économie de moyens.

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Martha Argerich et la Kremerata Baltica à Gstaad

Beate Langenbruch, 29th January

Le chemin enneigé, bordé de bougies, monte à la vieille Église de Saanen de 1604. Sous son toit, le vieux bois de la balustrade, d’une chaude couleur miel, travaille, grince, gémit : l’atmosphère des concerts hivernaux à Gstaad est unique.

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.