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Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Désirée Giove

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Laurent Pelly’s Falstaff passes the Naples test with flying colours

Von Lorenzo Fiorito, 15 Februar 2026

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

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Naples

15 Feb 2026

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Von Lorenzo Fiorito

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Reflection over momentum: Ennio Morricone’s only opera Partenope finally premiered in Naples

Von Lorenzo Fiorito, 14 Dezember 2025

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

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Naples

14 Dez 2025

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Von Lorenzo Fiorito

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Cherubini’s Medea in Naples: a clash of worlds in a neoclassical framework

Von Lorenzo Fiorito, 10 Dezember 2025

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

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Naples

10 Dez 2025

San Carlo’s Medea a clash of worlds in a neoclassical framework

Von Lorenzo Fiorito

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A divided world: Martone's modern Rigoletto returns with power and flaws to La Scala

Von Laura Servidei, 10 Oktober 2025

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing.

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Mailand

10 Okt 2025

Martone's modern Rigoletto returns with power and flaws to La Scala

Von Laura Servidei