Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Roberta Mameli

10 von 10 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: English, Español

Von Live-Musik, Liebe und zweiten Duetten: Ensemble 1700 beim Kölner FEL!X-Festival

Von Jens Klier, 28 August 2020

Solisten, Ensemble und Oberlinger befinden sich auf einer Wellenlänge beim Suchen und Finden der Liebe im Garten der Alten Musik.

****1

mehr

****1

Köln

28 Aug 2020

Live-Musik, Liebe und zweite Duette beim Kölner FEL!X-Festival

Von Jens Klier

Drottningholm

Handel’s Ariodante in Drottningholm's magical setting

Von Laura Servidei, 03 August 2019

A splendid cast led by Ann Hallenberg does justice to an integral version of Handel’s masterpiece under the baton of Ian Page.

****1

mehr

****1

Drottningholm

03 Aug 2019

Handel’s Ariodante in Drottningholm's magical setting

Von Laura Servidei

Potsdam

Polifemo by Bononcini: a Baroque rarity in Potsdam

Von Sandra Bowdler, 16 Juni 2019

An entertaining night of Baroque music, costume and movement, but above all wonderful singing, at the historic Orangerieschloss at Potsdam

****1

mehr

****1

Potsdam

16 Jun 2019

Polifemo by Bononcini: a Baroque rarity in Potsdam

Von Sandra Bowdler

Venedig

A second chance for a teenager Mozart in Venice

Von Renato Verga, 15 Februar 2019

Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.

***11

mehr

***11

Venedig

15 Feb 2019

A second chance for a teenager Mozart in Venice

Von Renato Verga

Madrid

Accademia del Piacere en Madrid: Il Gran Teatro del Mondo

Von Ramón del Buey Cañas, 04 Dezember 2018

Fahmi Alquai y Accademia del Piacere ofrecen un recorrido por la música teatral de España e Italia y conmemoran al compositor del Barroco español más importante, José de Nebra.

****1

mehr

****1

Madrid

04 Dez 2018

Accademia del Piacere en Madrid: Il Gran Teatro del Mondo

Von Ramón del Buey Cañas

Berlin

A heavy crown: austere Monteverdi at the Staatsoper

Von Hugo Shirley, 13 Dezember 2017

The Staatsoper's new L'incoronazione di Poppea is serious, intelligent but short on fire.

***11

mehr

***11

Berlin

13 Dez 2017

A heavy crown: austere Monteverdi at the Staatsoper

Von Hugo Shirley

Turin

Rare and witty: Vivaldi's L'incoronazione di Dario staged in Turin for the first time

Von Renato Verga, 13 April 2017

As always in the librettos of the time, the historical events are just a weak excuse to stage timeless stories of jealousy, struggle for power, sexual desire – the ingredients in today's television series.

****1

mehr

****1

Turin

13 Apr 2017

Rare and witty: Vivaldi's Dario in Turin

Von Renato Verga

Florence

Dido left stranded by the director in Florence

Von Renato Verga, 08 Januar 2017

Metastasio's Didone abbandonata has been set to music at least sixty times. Florence revives a version by Leonardo Vinci composed in 1726.

**111

mehr

**111

Florence

08 Jan 2017

Dido left stranded by the director in Florence

Von Renato Verga

Turin

Purcell’s Dido and Aeneas in Turin: Baroque astonishment and wonder

Von Edoardo Pelligra, 26 November 2015

Though musically played with participation and sensitivitythe, this production was full of jugglers, acrobats, dancers, circus performers and mimes.

***11

mehr

***11

Turin

26 Nov 2015

Baroque astonishment and wonder in Turin

Von Edoardo Pelligra

Martina Franca

The Italian response to Lully: Apulian composer Tommaso Traetta's Armida

Von Lorenzo Fiorito, 27 Juli 2014

A revival of the Italian version of a Baroque masterpiece by Lully was delivered in Palazzo Ducale in Martina Franca.

***11

mehr

***11

Martina Franca

27 Jul 2014

Tommaso Traetta's Armida revived in Martina Franca

Von Lorenzo Fiorito