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Regisseur Ole Anders Tandbergs neue Inszenierung von Schostakowitschs Lady Macbeth von Mzensk ist grandios gesungen, doch die brutale und vulgäre Produktion tendiert dazu, es zu übertreiben.

Jon Fosse's bleak tale of alienation is graced with fine performances from a strong cast and excellent playing by the Bergen Philharmonic Orchestra under Johannes Gustavsson.

Juliana Zara and Annemarie Kremer lead the cast in a riotous, yet deeply touching, new production from Nederlandse Reisopera. 

In a reprise of Ole Anders Tandberg’s somewhat confused production, a solid cast performs a charming bohème, under the baton of Marco Armiliato.

The Kungliga Operan presents a stagnant production of Verdi’s masterpiece, with a competent cast comprised mostly of Swedish singers.

The passion of Alban Berg's music under Donald Runnicles fights against a disjointed production by Ole Anders Tandberg.

Stage director Ole Anders Tandberg casts Carmen as the leader of a gang of human organ dealers.

A funny, original take on The Merry Widow at the Royal Swedish Opera in StockholmHenrik Dorsin rewrites a witty libretto for The Merry Widow to represent a fictitious financial crisis in the Kungliga Operan itself, satirizing the modern cultural scene.

Ole Andreas Tandberg's production of Lady Macbeth of Mtsensk gets a revival in Oslo, and proves even more chilling than the first time around.

Director Ole Anders Tandberg's production of Monteverdi's Il ritorno d'Ulisse expertly balances the line between irreverent humour and human tragedy.

Zurich’s unexpected and original twists on Giacomo Puccini’s great opera was riddled with gimmickry.