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Christine Rice (Judith) and Nathan Berg (Bluebeard) © Dafydd Owen

Gothic and Greek: Welsh National Opera’s double bill opens in Cardiff

Von Mark Valencia, 20. September 2026

Finding a partner for Bartók's creepy one-acter is a thorny problem, but Welsh National Opera pairs it with Stravinsky's ‘opera-oratorio’ for its season opener.

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Cardiff

20. Sept. 2026

Gothic and Greek: Welsh National Opera’s double bill opens in Cardiff

Von Mark Valencia

Ruzan Mantashyan (Tatyana) © Richard Hubert Smith

Alresford

Ruzan Mantashyan’s compelling Tatyana makes the Grange Festival’s Eugene Onegin unmissable

Von Mark Pullinger, 26. Juni 2026

The Armenian soprano makes her Grange Festival debut – a casting coup that proves the single most compelling reason to see Max Webster’s new production.

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Alresford

26. Juni 2026

Compelling Ruzan Mantashyan makes the Grange’s Onegin unmissable

Von Mark Pullinger

Danielle de Niese (Carmen) and Abraham Bretón (Don José) © Keith Saunders

Sydney

Danielle de Niese makes Carmen debut in a colourful new Opera Australia staging

Von Sandra Bowdler, 10. Juli 2025

Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.

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Sydney

10. Juli 2025

Danielle de Niese makes Carmen debut in a colourful new Sydney staging

Von Sandra Bowdler

Lauren Fagan (Suor Angelica) © Keith Saunders

Sydney

Triple triumph: Puccini’s Il trittico opens at Opera Australia

Von David Larkin, 6. Juli 2024

A fine ensemble cast brings Puccini’s triptych of one-acters to the Sydney Opera House stage, with stand-out performances from Lauren Fagan, Viktor Antipenko, Simon Meadows and Angela Hogan.

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Sydney

6. Juli 2024

Triple triumph: Il trittico opens at Opera Australia

Von David Larkin

John Relyea (Bluebeard) © Nirah Sanghani

London

An unexpected bride in English National Opera’s Duke Bluebeard's Castle

Von Dominic Lowe, 21. März 2024

A semi-staging of Bartók's tale of doors and brides at the Coliseum is saved from disaster when Jennifer Johnston steps in to sing Judith at very short notice, with the part gamely acted by Crispin Lord.

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London

21. März 2024

An unexpected bride in ENO’s Duke Bluebeard's Castle

Von Dominic Lowe

Nicole Chevalier in Symphony of Sorrowful Songs © Clive Barda

London

Letting Górecki’s music do the work: Symphony of Sorrowful Songs at ENO

Von Roy Westbrook, 27. April 2023

House debutants, soprano Nicole Chevalier and conductor Lidiya Yankovskaya, excel in Isabella Bywater's Górecki staging to close English National Opera's season.

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London

27. Apr. 2023

Letting Górecki’s music do the work: Symphony of Sorrowful Songs

Von Roy Westbrook

Seattle

Seattle Opera’s fast-track Don revealed in stark black and white

Von Stephen Pritchard, 19. März 2021

Cut-down Mozart meets monochrome cinema. This certainly won’t be the most sumptuous Don you’ll ever see, but it is committed, imaginative and admirably compact.

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Seattle

19. März 2021

Seattle Opera’s fast-track Don revealed in stark black and white

Von Stephen Pritchard

Chicago

Conquering Everest and Aleko: Chicago Opera Theater's bold study of contrasts

Von Katherine Syer, 16. November 2019

An unusual double bill of operas by Joby Talbot and Sergei Rachmaninov under conductor Lidiya Yankovskaya in Chicago.

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Chicago

16. Nov. 2019

Chicago Opera Theater's bold study of contrasts

Von Katherine Syer

Boston

Pastoral and Pastiche: Sibelius’ Third and Busoni in Boston

Von Kevin Wells, 10. März 2017

Sakari Oramo returned to Symphony Hall to lead Sibelius' Symphony no. 3 in C major and Busoni’s rarely performed, grandiose Concerto in C for Piano, Orchestra and Men’s Chorus with Kirill Gerstein.

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Boston

10. März 2017

Pastoral and Pastiche: Sibelius and Busoni in Boston

Von Kevin Wells