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Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

The challenges of Cherubini’s version of the Greek tragedy prove too much for the National Theatre to overcome.

Directors Martin Kukučka and Lukáš Trpišovský, who work together as SKUTR, take on Dvořák’s Rusalka with a surfeit of ideas. 

Nigel Lowery’s new production at Prague State Opera is a gusher of ideas, starting as slapstick but profoundly moving by the end.

Fine vocal and musical performances can't overcome Sláva Daubnerová's staging which misses the mark.

A strong international cast and fine musicianship from the orchestra carries on Strauss's legacy with a smart, antic romp.

All the energy is in the pit in this flat production of a time-honored favorite.

A talented cast labors under the yoke of a gender-conscious Così fan tutte in a new production at the Estates Theatre. 

Lively singing saves Magdalena Švecová's listless production of Il barbiere di Siviglia at the Národní divadlo.