Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Frederick Long

Zur Aufführung gelangte ein neuzeitlich premiertes Opern-Pasticcio, dem das junge Ensemble mit innewohnender Entdeckerlust und stimmlichen Fähigkeiten zu einem – damals noch versagten – Erfolg verhalf.

Well defined performances of Monteverdi madrigals are sung with I Fagiolini’s customary ease and involvement. 

Dinis Sousa conducts the combined forces of the English Baroque Soloists and the Monteverdi Choir in L’Allegro, il Penseroso ed il Moderato.

It’s a risky business to describe comic nuance or timing, so please take my word that these qualities were as pitch-perfect as the vocal prowess on display.

John Savournin directs Opera Holland Park's end-of-term G&S romp.

It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.

English Touring Opera's triple bill of early Baroque miniatures promised an intruiging evening but failed up to expectations. 

Immersive, direct and passionate Bach from English Touring Opera and the Old Street Band.

Conway's decision to render Handel's epic in its entirety was let down by a static staging and unnecessary repeats that masked the hidden gem-like arias.

A searing examination of love in a time war is to be found in a new production and new edition of Rameau's greatest work.

An especially adapted version of Purcell's Fairy Queen, reworked by Timothy Nelson, inspires an exceptional reading from a talented young cast at Iford. 

La bohème staged as Tudorbethan drama? Opera Holland Park's quirky tribute to Shakespeare400 is a lot of fun. 

A Madama Butterfly from beyond the grave? What would Julia Burbach's concept add to the familiar thread of Puccini's opera? 

When you go to a student opera production, even at an institution as prestigious as the Royal Academy of Music, you don't expect to see one of the opera world's conducting legends in the pit. But that's precisely what we had at last night's performance of Berlioz's Béatrice et Bénédict, in the shape of Sir Colin Davis (CH, CBE), a man with several thousand opera performances on the clock.

The Royal Academy of Music has a small but beautifully refurbished theatre, the 230 seat Sir Jack Lyons Theatre, where it stages full opera performances. Although many of the seats are taken by Academy staff, performers' friends and families, talent scouts and others with specific reasons for being there, some of the tickets are available to the public.