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Marcus Swietlicki (Don Giovanni) and Henna Mun (Maturina) © Chris Christodoulou

The other Don Giovanni: Gazzaniga's take on the legendary lothario at the RCM

Von Dominic Lowe, 20. November 2023

It premiered in the same year as Mozart's opera, but Gazzaniga's Don Giovanni is virtually unknown. Despite the best efforts of an energetic student cast it doesn't come close to hitting the heights that Mozart and Da Ponte reached.

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London

20. Nov. 2023

The other Don Giovanni: Gazzaniga's take on the legendary lothario

Von Dominic Lowe

Björn Bürger (Gaveston) and Ivan Ludlow (Edward II) © Herwig Prammer

Zürich

Lessons in Love and Violence in Zurich: gorgeous tragedy without a heart

Von Elodie Olson-Coons, 21. Mai 2023

Given a new production by Evgeny Titov, Benjamin's second full-length opera is musically brilliant, but its examination of our inner darkness lacks heart.

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Zürich

21. Mai 2023

Lessons in Love and Violence: gorgeous tragedy without a heart

Von Elodie Olson-Coons

Lylis O'Hara (Princess) and Zixin Tang (The Old Woman) © Chris Christodoulou

London

Nightmares dressed as daydreams: Respighi and Ravel at the Royal College of Music

Von Dominic Lowe, 13. März 2023

An opportunity to hear one of Respighi's operas in the UK is a real treat; the composer's take on Sleeping Beauty, La bella dormente nel bosco, is an ideal companion to to Ravel's L'Enfant et les sortilèges in a terrific double bill at the Royal College of Music.

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London

13. März 2023

Nightmares dressed as daydreams: Respighi and Ravel at the RCM

Von Dominic Lowe

München

Puccini’s Il trittico: a successful revival in Munich

Von Laura Servidei, 11. Juni 2021

Ermonela Jaho steals the scene as Suor Angelica in a very successful revival of Lotte de Beer’s production.

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München

11. Juni 2021

Puccini’s Il trittico: a successful revival in Munich

Von Laura Servidei

Berlin

Kosky's Semele revived in style at the Komische Oper Berlin

Von Zenaida des Aubris, 12. Dezember 2019

Like a phoenix rising from the ashes, Semele willingly pays the price of death through transformation.

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Berlin

12. Dez. 2019

Kosky's Semele revived in style at the Komische Oper Berlin

Von Zenaida des Aubris

Berlin

Fleeting happiness: Robert Carsen's Tote Stadt at the Komische Oper

Von Hugo Shirley, 6. Oktober 2018

The Komische Oper's new staging of Korngold's opera doesn't quite offer the necessary scale or atmosphere.

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Berlin

6. Okt. 2018

Fleeting happiness: Robert Carsen's Tote Stadt at the Komische Oper

Von Hugo Shirley