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Emilie Gerrity and Unity Phelan in George Balanchine’s Concerto Barocco © Erin Baiano

New York City

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Von Carla Escoda, 13. Mai 2026

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

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New York City

13. Mai 2026

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Von Carla Escoda

Anne Souder and Lloyd Knight in Appalachian Spring © Steven Pisano

New York City

Martha Graham Dance Company celebrates 100 years in New York

Von Ivy Lin, 8. April 2026

In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.

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New York City

8. Apr. 2026

Martha Graham Dance Company celebrates 100 years in New York

Von Ivy Lin

Anna Souder (Martha Graham Dance Company) dans Cave of the Heart © Melissa Sherwood

Paris

Graham 100 : le génie impérissable de Martha Graham au Théâtre du Châtelet

Von Julie Jozwiak, 5. November 2025

Avec quelques semaines d'avance, la Martha Graham Dance Company fête son centenaire en faisant dialoguer la danse d’avant-garde de sa fondatrice et le génie créatif effervescent de notre époque.

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Paris

5. Nov. 2025

Graham 100 : le génie impérissable de Martha Graham au Châtelet

Von Julie Jozwiak

English National Ballet in George Balanchine's Theme and Variations © Photography by ASH

London

ENB: R:Evolution at Sadler’s Wells showcases tenacity, legacy and talent

Von Deborah Weiss, 1. Oktober 2025

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

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London

1. Okt. 2025

ENB: R:Evolution showcases tenacity, legacy and talent

Von Deborah Weiss

Sara Mearns and Tyler Angle in George Balanchine's Brahms-Schoenberg Quartet © Erin Baiano

New York City

All Balanchine I tackles the Brahms-Schoenberg Quartet "problem"

Von Ivy Lin, 21. Januar 2025

Brahms-Schoenberg Quartet comes across as a work with fragments of greatness rather than a masterpiece but the rest of the evening offers sheer brilliance.

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New York City

21. Jan. 2025

All Balanchine I tackles the Brahms-Schoenberg Quartet "problem"

Von Ivy Lin

Adrian Danchig-Waring as Orpheus and Brittany Pollack as Eurydice in Balanchine's Orpheus © Erin Baiano

New York City

NYCB: Orpheus – once hot, now on life support

Von Ivy Lin, 12. Oktober 2023

Someone at New York City Ballet needs to believe in Orpheus before they present it again.

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New York City

12. Okt. 2023

NYCB: Orpheus – once hot, now on life support

Von Ivy Lin

Joseph Gordon in George Balanchine's Orpheus © Erin Baiano

New York City

NYCB: 75th anniversary program is an appealing, popular nod to history

Von Carla Escoda, 11. Oktober 2023

New York City Ballet marked its 75th anniversary with the same triple bill that caused so much excitement at City Center in 1948: Orpheus, Concerto Barocco and Symphony in C.

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New York City

11. Okt. 2023

NYCB: 75th anniversary program is an appealing, popular nod to history

Von Carla Escoda

Jacob Larsen and So Young An in Martha Graham's Dark Meadow Suite © Brian Pollock

New York City

Martha Graham: both timeless and contemporary

Von Ivy Lin, 21. April 2023

Martha Graham's choreography, often inspired by Greek mythology, still has the power to shock.

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New York City

21. Apr. 2023

Martha Graham: both timeless and contemporary

Von Ivy Lin

New York City

Pioneering spirit: Martha Graham Dance Company's triumphant return

Von Ivy Lin, 29. Oktober 2021

The feeling at the end of the evening was one of triumph, with the future of the Martha Graham Dance Company looking as optimistic as the frontier couple in Appalachian Spring.

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New York City

29. Okt. 2021

Pioneering spirit: Martha Graham Dance Company's triumphant return

Von Ivy Lin