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Hungarian National Ballet in the Kingdom of Shades from Albert Mirzoyan's La Bayadère © Valter Berecz / Hungarian State Opera

A thrilling, opulent La Bayadère at Hungarian National Ballet

Von Gianmarco Segato, 14. Juni 2025

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

*****

Budapest

14. Juni 2025

A thrilling, opulent La Bayadère at Hungarian National Ballet

Von Gianmarco Segato

Lea Földi, the Girl and Iurii Kekalo, the Mandarin in Marianna Venekei's The Miraculous Mandarin © Valter Berecz

Tradition reconsidered in Bartók Dancetriptych at the Hungarian National Ballet

Von Gianmarco Segato, 3. Februar 2024

Three iconic Bartók dance scores are newly-interpreted at the Hungarian National Ballet.

****1

****1

Budapest

3. Feb. 2024

Tradition reconsidered in Bartók Dancetriptych in Budapest

Von Gianmarco Segato

Virtuoso dancing in Hungarian National Ballet's Laurencia

Von Graham Watts, 6. März 2020

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.

***11

***11

Budapest

6. März 2020

Virtuoso dancing in Hungarian National Ballet's Laurencia

Von Graham Watts

The Hungarian National Ballet debuts its Don Quixote in NY

Von Janet Ward, 9. November 2018

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.

****1

****1

New York City

9. Nov. 2018

The Hungarian National Ballet brings its Don Quixote to New York

Von Janet Ward

17th-century L'Orontea in Budapest goes millennial

Von Alexandra Ivanoff, 17. April 2016

Opera director András Almási-Toth’s whimsical updating of an early Baroque opera by Antonio Cesti switches the composer’s L'Orontea from 1656 to 2016.

****1

****1

Budapest

17. Apr. 2016

17th-century L'Orontea in Budapest goes millennial

Von Alexandra Ivanoff

Dohnányi’s Der Tenor a star vehicle for Attila Fekete in Budapest

Von Alexandra Ivanoff, 27. Februar 2016

Hungarian composer Dohnányi's fourth and last opera is a comic delight, especially in the hands of the team at the Budapest Opera.

*****

*****

Budapest

27. Feb. 2016

Dohnányi’s Der Tenor a star vehicle for Attila Fekete

Von Alexandra Ivanoff