Termine Kritiken Artikel Video

Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Marie McLaughlin

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Corinne Winters (Jenůfa) © ROH | Camilla Greenwell

Redemption Song: Jenůfa triumph signals a bright future for Hrůsa at Covent Garden

Von Eleanor Knight, 15. Januar 2025

Corinne Winters is phenomenal as the self-possessed Jenůfa in The Royal Opera's revival of Claus Guth's powerful staging.

*****

*****

London

15. Jan. 2025

Redemption Song: Jenůfa triumph signals a bright future for Hrůsa

Von Eleanor Knight

Czech mate: a hilarious and immaculately executed Bartered Bride at Garsington

Von David Karlin, 29. Mai 2019

Natalya Romaniw is a natural as our maligned heroine: Paul Curran creates staging of bewildering comic complexity and pulls it off with panache.

****1

****1

High Wycombe

29. Mai 2019

An immaculately executed Bartered Bride at Garsington

Von David Karlin

Iain Bell's new opera for ENO, Jack the Ripper: The Women of Whitechapel

Von Mark Valencia, 30. März 2019

Daniel Kramer’s direction is a model of restraint compared to some of his earlier work for the company.

***11

***11

London

30. März 2019

Jack the Ripper: The Women of Whitechapel

Von Mark Valencia

A stylish Rake's Progress from Jurowski and the LPO

Von Stephen Pritchard, 3. November 2018

Toby Spence, Matthew Rose and Andrew Watts shine in a fluent semi-staging at the Royal Festival Hall.

****1

****1

London

3. Nov. 2018

A stylish Rake's Progress from Jurowski and the LPO

Von Stephen Pritchard

Sir John in Love: the fat knight returns to Covent Garden

Von Mark Pullinger, 10. Juli 2018

Sir Bryn Terfel’s Falstaff is still a cherishable rogue as he takes on the title role in Robert Carsen’s joyous staging at the Royal Opera.

****1

****1

London

10. Juli 2018

Sir John in Love: the fat knight returns to Covent Garden

Von Mark Pullinger

Dove’s Flight: Witty and poignant tale of airport life at Scottish Opera

Von David Smythe, 24. Februar 2018

Jonathan Dove’s witty Flight at Scottish Opera is finely sung by a tight ensemble with standout performances from Jennifer France and James Laing.

****1

****1

Glasgow

24. Feb. 2018

Witty and poignant tale of airport life at Scottish Opera

Von David Smythe

Attend The Tale of Burke and Hare: a world première at Boston Lyric Opera

Von Kevin Wells, 8. November 2017

Despite its title, the victims dominate Julian Grant and Mark Campbell’s caustic one-act opera.

****1

****1

Boston

8. Nov. 2017

Attend The Tale of Burke and Hare

Von Kevin Wells

Borderline sumptuous: Scottish Opera revives The Marriage of Figaro

Von Gregor Forbes, 12. Oktober 2016

Inventive comedy and excellent musicality bring Sir Thomas Allen’s traditional production back to life.

****1

****1

Glasgow

12. Okt. 2016

Borderline sumptuous: Scottish Opera's Figaro

Von Gregor Forbes

Jaho and Larsson break hearts, Gallo and Hurrell mend them in The Royal Opera's Trittico

Von David Karlin, 25. Februar 2016

A blistering performance of Suor Angelica is the highlight of this strongly performed revival of Richard Jones' 2011 production.

****1

****1

London

25. Feb. 2016

Jaho and Larsson break hearts, Gallo and Hurrell mend them

Von David Karlin

In Berlin Claus Guth's Screw turns differently

Von Max Woods, 15. November 2014

Claus Guth gives the Staatsoper Berlin a Turn of the Screw unlike any other.

****1

****1

Berlin

15. Nov. 2014

In Berlin Claus Guth's Screw turns differently

Von Max Woods

A Perfect Masterpiece: Glass's The Perfect American in Brisbane

Von Paul Selar, 20. September 2014

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.

*****

*****

Brisbane

20. Sept. 2014

A Perfect Masterpiece: Glass's The Perfect American in Brisbane

Von Paul Selar

Iain Bell's A Harlot's Progress enjoys a strong debut at Theater an der Wien

Von Chanda VanderHart, 13. Oktober 2013

Iain Bell’s new opera A Harlot’s Progress, premièred at the Theater an der Wien this month, has much going for it. Its chances for making it into modern repertory are good – if people can handle the depressing plot.

***11

***11

Wien

13. Okt. 2013

Theater an der Wien: A Harlot's Progress

Von Chanda VanderHart