Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Rebecca Bottone

Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

Mélisande als Lulu in David Pountneys unbefriedigender Inszenierung von Debussys Pelléas et Mélisande für die Welsh National Opera.

Simon Mayo’s Young Adult novels are turned into an operatic romp which explores the fascination of the elements with excellent music and setting, albeit riddled with plot lacunae.

Ivor Bolton and Kit Hesketh-Harvey deliver a brilliant political thriller and anti-Putin polemic – at least for its first half.

Classical Opera takes a break from Mozart with two short operas by Gluck.

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score. 

Stephen Medcalf directs a coherent staging of Mozart’s opera seria in which Idomeneo’s inner demons are to be battled. 

John Butt’s revisitation of the Handel oratorio Samson at the Halle Handel Festival displayed this treasured work in an illuminating and satisfying light.

Stellar voices and orcheatra and some inspired staging choices elevate an otherwise heavy-handed production of Pelléas et Mélisande from the WNO at the Hong Kong Arts Festival.

The fashion for reviving Mozart's teenage operas brings a vocally dazzling production of Lucio Silla to Buxton, nevertheless hampered by the work's own lack of believable drama and some fairly flat staging. 

A popular performance of Handel's oratorio Deborah, featuring Baroque opera singer Xavier Sabata and English soprano Rebecca Bottone, garners warm applause at the Halle Handel Festival.

Mozart's first stage work was written when he was just eleven years old; in this performance by Classical Opera, the composer's youthful writing and touches of humour are brought to life by a solid cast and lively conducting.

Martin Lloyd Evans returns to Scottish Opera direct a visually rich and lively Mikado. Richard Suart is a veteran Ko-Ko with no-one safe from his Little List as it changes for every performance.

This traditional production of Patience was strongly sung and acted and was a joyful evening.

Delius resurrected, Wood introduced, Nielsen explored and thrilling Ravel at the BBC Proms.

Richard Ayres's Peter Pan, in a new WNO production, leaves J.M. Barrie's story dangling. 

Scottish Opera's La Cenerentola is colourful, fun-filled and packed with tunes. Russian mezzo Victoria Yarovaya shines in the title role.

Sian Edwards leads a powerful exploration of Max’s chamber works at Cadogan Hall, with extraordinary solo turns from Tim Gill and Rebecca Bottone.