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Atalla Ayan (Don José) and Niamh O'Sullivan (Carmen) © Ros Kavanagh

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin, 2. November 2026

Niamh O’Sullivan brings charisma to an attractive, colourful production, but a lack of dramatic intensity leaves Bizet’s enduring tale of passion and possessiveness short of its full impact.

***11

mehr

***11

Dublin

2. Nov. 2026

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin

Henry Waddington (Lady Bracknell) © Richard Hubert Smith

High Wycombe

Wilde nonsense: Gerald Barry’s The Importance of Being Earnest is a smash hit for Garsington

Von Eleanor Knight, 10. Juli 2026

A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth.

*****

mehr

*****

High Wycombe

10. Juli 2026

The Importance of Being Earnest is a smash hit for Garsington

Von Eleanor Knight

Soraya Mafi (Gilda) and Michael Chioldi (Rigoletto) © Patrick Redmond

Dublin

Terrifically strong principals in Irish National Opera’s new Rigoletto

Von Andrew Larkin, 1. Dezember 2024

Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre.

****1

mehr

****1

Dublin

1. Dez. 2024

Terrifically strong principals in Irish National Opera’s Rigoletto

Von Andrew Larkin

Dublin

Strong voices shine amidst Fuchs' superficially garish Traviata for Irish National Opera

Von Andrew Larkin, 21. Mai 2024

Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production.

***11

mehr

***11

Dublin

21. Mai 2024

Strong voices shine amidst Fuchs' superficially garish Traviata

Von Andrew Larkin

Meili Li (Licida) and ensemble © Ros Kananagh

London

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Von Roy Westbrook, 13. Mai 2024

Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

****1

mehr

****1

London

13. Mai 2024

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Von Roy Westbrook

Sean Panikkar (Don José) and Ginger Costa-Jackson (Carmen) © Adiam Yemane

London

On a knife-edge: Calixto Bieito's Carmen returns to English National Opera

Von Dominic Lowe, 1. Februar 2023

Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

****1

mehr

****1

London

1. Feb. 2023

On a knife-edge: Carmen returns to English National Opera

Von Dominic Lowe

Wexford

Staging sorcery: Dvořák's Armida played straight in fine Wexford production

Von Roy Westbrook, 23. Oktober 2022

Dvořák’s final opera gets a rare staging outside its Czech homeland, at Wexford – the festival where dead operas return to life.

****1

mehr

****1

Wexford

23. Okt. 2022

Staging sorcery: Dvořák's Armida played straight in Wexford

Von Roy Westbrook

Dublin

Irish National Opera's entertaining Carmen is a hit in Dublin

Von Andrew Larkin, 7. März 2022

Paul Curran's production of Carmen is entertaining and slick, with Paula Murrihy as a feisty heroine.

***11

mehr

***11

Dublin

7. März 2022

Irish National Opera's entertaining Carmen is a hit in Dublin

Von Andrew Larkin

London

“Lord what fools these mortals be”: Britten's Dream haunts the Guildhall School

Von Roy Westbrook, 1. März 2019

Dominic Wheeler did full justice to Britten’s brilliantly colourful and haunting score right from those first eerie glissandi.

****1

mehr

****1

London

1. März 2019

Britten's Dream haunts Guildhall School

Von Roy Westbrook

London

Menotti's fiercely topical The Consul delivers an emotional protest at Guildhall School

Von John Johnston, 30. Oktober 2017

Guildhall School of Music and Drama tackles Gian Carlo Menotti's rarity, a tale of stateless and paperless 'citizens of nowhere' seeking refuge amid Kafkaesque bureaucracy.

****1

mehr

****1

London

30. Okt. 2017

Menotti's fiercely topical Consul at Guildhall

Von John Johnston