En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Seán Boylan

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Henry Waddington (Lady Bracknell) © Richard Hubert Smith

Wilde nonsense: Gerald Barry’s The Importance of Being Earnest is a smash hit for Garsington

Par Eleanor Knight, 10 juillet 2026

A handbag? Jack Furness’ uproarious new production of Gerald Barry’s irreverent take Oscar Wilde bares some very sharp teeth.

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High Wycombe

10 juil. 2026

The Importance of Being Earnest is a smash hit for Garsington

Par Eleanor Knight

Soraya Mafi (Gilda) and Michael Chioldi (Rigoletto) © Patrick Redmond

Dublin

Terrifically strong principals in Irish National Opera’s new Rigoletto

Par Andrew Larkin, 01 décembre 2024

Michael Chioldi, Soraya Mafi and Bekhzod Davronov shine in Julien Chavez’ energetic production in Dublin’s Bord Gais Theatre.

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Dublin

01 déc. 2024

Terrifically strong principals in Irish National Opera’s Rigoletto

Par Andrew Larkin

Dublin

Strong voices shine amidst Fuchs' superficially garish Traviata for Irish National Opera

Par Andrew Larkin, 21 mai 2024

Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production.

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Dublin

21 mai 2024

Strong voices shine amidst Fuchs' superficially garish Traviata

Par Andrew Larkin

Meili Li (Licida) and ensemble © Ros Kananagh

Londres

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Par Roy Westbrook, 13 mai 2024

Venetian Baroque opera once had a raison d'être of spectacular and complex stagings, but Daisy Evans makes us see that other ways are possible.

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Londres

13 mai 2024

Gold medal for Irish National Opera's L’Olimpiade at Covent Garden

Par Roy Westbrook

Sean Panikkar (Don José) and Ginger Costa-Jackson (Carmen) © Adiam Yemane

Londres

On a knife-edge: Calixto Bieito's Carmen returns to English National Opera

Par Dominic Lowe, 01 février 2023

Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.

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Londres

01 févr. 2023

On a knife-edge: Carmen returns to English National Opera

Par Dominic Lowe

Jozef Benci (King Hydraot) and Jennifer Davis (Armida) © Clive Barda | ArenaPAL

Wexford

Staging sorcery: Dvořák's Armida played straight in fine Wexford production

Par Roy Westbrook, 23 octobre 2022

Dvořák’s final opera gets a rare staging outside its Czech homeland, at Wexford – the festival where dead operas return to life.

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Wexford

23 oct. 2022

Staging sorcery: Dvořák's Armida played straight in Wexford

Par Roy Westbrook

Dublin

Irish National Opera's entertaining Carmen is a hit in Dublin

Par Andrew Larkin, 07 mars 2022

Paul Curran's production of Carmen is entertaining and slick, with Paula Murrihy as a feisty heroine.

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Dublin

07 mars 2022

Irish National Opera's entertaining Carmen is a hit in Dublin

Par Andrew Larkin

Londres

“Lord what fools these mortals be”: Britten's Dream haunts the Guildhall School

Par Roy Westbrook, 01 mars 2019

Dominic Wheeler did full justice to Britten’s brilliantly colourful and haunting score right from those first eerie glissandi.

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Londres

01 mars 2019

Britten's Dream haunts Guildhall School

Par Roy Westbrook

Londres

Menotti's fiercely topical The Consul delivers an emotional protest at Guildhall School

Par John Johnston, 30 octobre 2017

Guildhall School of Music and Drama tackles Gian Carlo Menotti's rarity, a tale of stateless and paperless 'citizens of nowhere' seeking refuge amid Kafkaesque bureaucracy.

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Londres

30 oct. 2017

Menotti's fiercely topical Consul at Guildhall

Par John Johnston