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Elin Pritchard (Amelia) and Matteo Desole (Gustavo) © Craig Fuller

Elin Pritchard stands out in Opera Holland Park’s Un ballo in maschera

Von David Karlin, 25. Juli 2026

Elin Pritchard’s Amelia lights up an evening which is superb musically, easy on the eye and eventually overcomes the shortcomings of Antonio Somma's libretto.

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London

25. Juli 2026

Elin Pritchard stands out in Holland Park’s Ballo in maschera

Von David Karlin

Elizabeth Llewellyn (Ariadne) and Ric Furman (Bacchus) © Richard Hubert Smith

Leeds

Strauss à la Fellini: Ariadne auf Naxos at Opera North

Von Richard Wilcocks, 18. Februar 2023

Rodula Gaitanou sets Richard Strauss and Hugo von Hofmannsthal's comedy in the Cinecittà film studios of the 1950s.

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Leeds

18. Feb. 2023

Strauss à la Fellini: Ariadne auf Naxos at Opera North

Von Richard Wilcocks

Mark Bautista (Raimondo) and Faryl Smith (Mariuccia) in I due timidi © David Monteith-Hodge

London

Picture perfect: a fine triple bill from the Guildhall School of Music and Drama

Von Dominic Lowe, 11. November 2022

Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.

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London

11. Nov. 2022

Picture perfect: a fine triple bill from the Guildhall School

Von Dominic Lowe

Bergen

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Von Mark Valencia, 15. März 2021

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

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Bergen

15. März 2021

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Von Mark Valencia

Wexford

Rossinian Bake-Off: a delicious double bill at Wexford

Von Mark Pullinger, 24. Oktober 2019

Rosetta Cucchi, who takes over as Artistic Director at Wexford Festival Opera next season, directs a Rossinian rarity and its newly commissioned "prequel".

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Wexford

24. Okt. 2019

Rossinian Bake-Off: a delicious double bill at Wexford

Von Mark Pullinger

Manuela Custer (Dorilla) and José Maria Lo Monaco (Elmiro) © Clive Barda

Wexford

Florid campery as Vivaldi’s Dorilla in Tempe travels from Venice to Wexford

Von Mark Pullinger, 23. Oktober 2019

Fabio Ceresa returns to Wexford Festival Opera in flamboyant style with a production of Vivaldi's pasticcio.

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Wexford

23. Okt. 2019

Florid campery in Vivaldi’s Dorilla in Tempe

Von Mark Pullinger

Wexford

Man of La Mancha: Massenet’s Don Quichotte opens Wexford Festival Opera

Von Mark Pullinger, 22. Oktober 2019

A terrific opening to the 68th festival with Aigul Akhmetshina's sultry Dulcinée the standout in a great cast.

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Wexford

22. Okt. 2019

Man of La Mancha: Don Quichotte at Wexford

Von Mark Pullinger

London

Menotti's fiercely topical The Consul delivers an emotional protest at Guildhall School

Von John Johnston, 30. Oktober 2017

Guildhall School of Music and Drama tackles Gian Carlo Menotti's rarity, a tale of stateless and paperless 'citizens of nowhere' seeking refuge amid Kafkaesque bureaucracy.

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London

30. Okt. 2017

Menotti's fiercely topical Consul at Guildhall

Von John Johnston

London

A surrealist Minotaur and devils in tutus: Ariane and Alexandre bis at Guildhall

Von Dominic Lowe, 31. Mai 2016

The Guildhall School of Music and Drama is firing on all cylinders with this double bill of rare surrealist operas by Martinů.

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London

31. Mai 2016

A surrealist Minotaur and devils in tutus

Von Dominic Lowe