Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Erster Verlust (Goethe), D.226

Von der Barockmusik zu Schubert-Liedern war es in Baden-Baden für Philippe Jaroussky kein unbedingt gradliniger Weg.

As part of the Konzerthaus’ Mittagsmusik (Midday Music) series, young soprano Anna Lucia Richter teamed up this week with one of the greatest living song accompanists, Gerold Huber, to present an extraordinarily varied matinée of songs in the Schubertsaal.

Soprano Anna Lucia Richter sings Schubert and Wolf with tonal beauty and eloquent intensity, sensitively and unerringly accompanied by Gerold Huber.

Twentysomething Philippe Sly wields an impressive voice. Like the mythical John Henry’s hammer, it rings like silver in the upper register, the middle shines like gold, and his bass is firm as iron. From the second line of Henri Duparc’s “Chanson Triste” Sly interested with his way of rolling out phrases, englobing lines in cavernous spaces.