Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | 7 canciones populares españolas

En deux concerts aussi convaincants sur le papier que dans l'interprétation, le Festival Ravel a rendu un vibrant hommage à un compositeur oublié des grandes institutions parisiennes lors de la saison à venir.

With guest conductor Eun Sun Kim, the Festival Orchestra of Lincoln Centers offers a brief, essentially weightless program of music in bite-sized pieces. 

Dans le cadre imprévu du Palais des Congrès de Souillac, Félicien Brut, Lucienne Renaudin Vary et Thibaut Garcia ont enchanté le public, avant le concert plein de recueillement de Tenebrae avec La Sportelle.

Lily Maisky, piano, y Mischa Maisky, chelo, ofrecieron un recital de sorprendente sintonía artística que cerró el ciclo de cámara del Círculo de Bellas Artes a un nivel altísimo.

Revisiting the music of her youth, Martina Janková keeps a vocal tradition alive and explores European expressions of national identity.

Mezzo-soprano Isabel Leonard paints Carnegie Hall in the high colors of Spanish folk music, accompanied by classical guitar player, Sharon Isbin.

Nash Ensemble nos llevó de viaje desde Granada a Cádiz, pasando por Linares en un recorrido lleno de pasión y buen hacer, donde disfrutamos de coloridos paisajes e historias de amor y desamor.

Ailyn Pérez and Stephen Costello open San Diego Opera's season in a generous duo recital.

Considering the sheer wattage of Yo-Yo Ma’s name, it was not his playing alone that stole the show; rather, the magic of this performance existed in the act of collaboration between two artists.

One of the delights of the Edinburgh Fringe is getting into venues you might pass by routinely all year and yet know nothing about. The Royal Over-Seas League in Princes Street was a case in point: it provided a charming boutique venue with a bar giving views of the Castle, Princes Street Gardens, and the street itself, busy with people at the start of this festival.

Reviewing concerts by young performers can be a tricky business, particularly when the material is highly varied and the way it is played even more so. Whenever I formed an opinion about the cello playing of Pablo Ferrández in today’s concert in Gstaad Chapel, I found myself contradicting it in the following piece.

Festival Director Jane Anthony made a brief appearance before this concert, reminding the audience that it was dedicated to the memory of Lord Harewood, who died earlier this year. He had been a staunch supporter of Leeds Lieder+, with a great gift for spotting and developing young singers.