Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | L'après-midi d'un faune

NBJ shows a contemporary double bill choreographed by Motoko Hirayama; a powerful and daring programme that strengthens their dancers’ versatility.

The 47th Nijinsky Gala in Hamburg celebrates the art of dance, the creativity of great choreographers and a totally committed company, while not forgetting what is happening not so far from our theatres.

La propuesta del Malandain Ballet Biarritz dio un aire nuevo a la vez que buscaba una continuidad y una coherencia con la tradición de la que emergen estas obras. 

Sasha Waltz & Guests reimagine L’après-midi d’un faune, Scène d’amour (from Roméo et Juliette) and Le sacre du printemps at London’s Sadler’s Wells.

Sasha Waltz's innovative and singular choreography bears on Stravinsky's Rite of Spring and Debussy's L'après midi d'un faune. A provocative, engaging evening at the Staatsoper in Berlin.

Pennsylvania Ballet serve up a wonderfully curated menu of works by George Balanchine, Jerome Robbins, Michael Kamen, and Jiří Kylián. Reviewed by Stephen Raskauskas at Merriam Theater, Philadelphia. 

The Italian vocal ensemble Cappella Artemisia, directed by mezzo-soprano Candace Smith, is a chamber group devoted to recovering the rich musical repertoire of the 16th- and 17th-century Italian convents.

Thirty years after its last visit to London, Boston Ballet has returned to the British capital in a celebratory mood. With the company opening its 50th season, the London tour has been planned both to launch the anniversary and to strengthen the growing international reputation of the company.

Spring has sprung in London, and there was a definite taste of nature and things new abounding at the Coliseum in the first of two programmes by English National Ballet. In Beyond Ballets Russes 1 there is a ‘newly hatched’ bird, two very different ‘faunes’ and a freshly outfitted pagan ritual to the god of spring.

If you "don't get” ballet, you may be thinking too hard. In the words of one friend who went to see Boston Ballet's Balanchine/Robbins program with me on opening night, “you look past it and it appears.” While many ballets tell a story or convey a theme, George Balanchine and Jerome Robbins encourage us to appreciate beauty for the sake of beauty. We don't try to understand a moonrise, after all.