Sasha Waltz's enigmatic Sacre

Von Cristina de Lucas, 13 November 2015

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Sadler's Wells Theatre, London, am 11 November 2015

Le Sacre du printemps (Sasha Waltz)

Scène d'amour (Sasha Waltz)

L'après-midi d'un faune (Sasha Waltz)

Sasha Waltz & Guests

Packend und einfühlsam: Sasha Waltz & Guests rocken im radialsystem

Michael Klier, 6th March

Zur Musik von Terry Riley entstand eine spontane, experimentelle und überwältigende Choreografie.

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Vermenschlichende Kraft: fesselnder Brahms

Sacha Evans, 16th October

Interpreten sprechen oft von ekstatischen Momenten. Doch die Ekstase reicht nicht immer über den Bühnenrand hinaus. Dieser Abend zeigte eine außergewöhnliche Leistung darin, diesen Graben zu überbrücken.

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Waltz et García-Alarcón au service de la Passion selon saint Jean

Julie Jozwiak, 5th November

C’est plus qu’un oratorio à écouter ou un ballet à admirer que nous offrent les artistes réunis pour l’occasion : il s’agit d’un véritable voyage ésotérique, entremêlant sensoriel et symbolique.

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Back to modernity: Sasha Waltz’s Sacre

Katja Vaghi, 27th June

Fil rouge modernity for Sasha Waltz & Guests triple bill Sacre at the Haus der Berliner Festspiele.

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Libertad, electrónica y lluvia: Sasha Waltz & Guests en el Grec

Maria Sánchez, 6th July

Después de un estreno anulado por las condiciones metereologócias, la Beethoven 7 de Sasha Waltz & Guests finalmente se llevó a cabo en el Teatre Grec de Barcelona.

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Renovado Orfeo: Monteverdi a través de la danza de Sasha Waltz

Leonardo Mattana Ereño, 20th November

La meticulosa dirección de García Alarcón y la cuidada propuesta de Sasha Waltz redundan en un espectáculo en el que la centralidad de la música se ve reforzada por una coreografía que construye el espacio y las relaciones entre personajes.

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Weitere Kritiken...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

A very physical yet enigmatic and vague Sacre