Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Les Vêpres siciliennes (I vespri siciliani): Overture

Daniele Rustioni pairs orchestral music of Verdi and Wagner in his concert with the Tokyo Metropolitan Symphony Orchestra, prior to taking up the post of Guest Principal Conductor in April.

Daniel Harding and the Orchestra dell’Accademia Nazionale di Santa Cecilia choose proportion over spectacle as their Asian tour reaches Seoul. 

La Temporada Lírica de La Coruña cierra la edición de 2023 con una magnífica velada operística y las voces Marina Monzó y Miren Urbieta-Vega.

La soprano noruega Lise Davidsen ofreció un recital acompañada por la Orquesta Sinfónica de Galicia dentro del ciclo lírico de la Asociación de Amigos de la Ópera de La Coruña.

Riccardo Muti and the Luigi Cherubini Youth Orchestra perform orchestral scores by Giuseppe Verdi, Giacomo Puccini and Giuseppe Martucci.

Lejos de ofrecer una lección completa de ese arte pluscuamperfecto del que la protagonista es capaz, Netrebko tan solo nos procuró un entretenimiento para para disfrutar con (su) familia y amigos.

In his inaugural concert at the helm of the Ulster Orchestra, Rustioni starts the new season with vigour in a charged evening of musical excitement.

Riccardo Muti brought a Verdian quality to Brahms’ Second Symphony, adding a certain Italian volatility and declamatory grandeur to the music.

A truly magnificent evening from Chailly and his Milanese orchestra.

For the final week of the CSO season, Muti led a stirring program of operatic excerpts by Verdi, Puccini and Mascagni, along with a rarity by Boito.

On the second leg of its current European tour, the Chicago Symphony Orchestra and Riccardo Muti fail to scale the heights in an acoustically problematic venue.

The RCO marked the investiture of Daniele Gatti as its seventh chief conductor with a sampler programme featuring Mahler, opera, and an expansive, glittering version of Respighi’s Fountains of Rome.

It’s time to stop talking about James Levine’s comeback. After a scintillating return to Carnegie Hall in May and a fleet, immaculate Così fan tutte at the Metropolitan Opera in September, Levine has proven what he never really had to: his powers have not waned in his absence from the podium. Given sensible scheduling and interesting repertoire, we can focus once again on his music-making.

Tenor Joseph Calleja, conductor Giuliano Carella and the Estonian National Symphony Orchestra presented an interesting choice of repertoire on Monday. The composers were celebrated Italian and French masters of opera, and the programme alternated between overtures for orchestra and arias starring Calleja.