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Das Lucerne Festival Orchestra unter der Leitung von Riccardo Chailly stellte mit Kompositionen von Steve Reich, George Gershwin und Charles Ives drei sehr unterschiedliche Exponenten der US-amerikanischen Musik ins Rampenlicht. 

Drei Uraufführungen stehen im Mittelpunkt des Programms beim Manchester International Festival.

The Colin Currie Group offer an involving and scintillating experience of one of America’s great composers as part of the Time Unwrapped series at Kings Place. 

An electronic extravaganza in a resonant setting adds another dimension to the venerable festival.

In an evening entitled “Pulse: Steve Reich and his influences”, the Aurora Orchestra set out to give three examples of pieces that influenced American minimalist composer Steve Reich alongside performing two of his pieces.

Kings Place is my new favourite London arts venue. It is the venue of choice for several prominent ensembles, and it is easy to see why. Acoustically fantastic concert halls provide opportunities for all sorts of music in a formal concert setting, whilst the large open spaces allow for more relaxed performances, where the audience can buy drinks, sit down and listen (or not).

As I sat in Herbst Theater last night awaiting the appearance of clarinetist Richard Stoltzman and guitarist Eliot Fisk, my mind wandered to the analogy of food and wine. With an abundance of delectable cuisine and fine wine across the world, the combination of such pairings are endless.

Do you remember when Steve Reich, “America’s greatest living composer”, came to your school concert and you performed his seminal work Clapping Music with the great man? No? Well, Joshua Kellie does. Joshua was one of the talented (and fortunate) St Paul’s School pupils chosen to perform in a concert in honour of the minimalist composer on his 75th birthday.

American Pioneers, the latest Hebrides Ensemble programme, featured five U.S. composers in what musical director, William Conway described as "a slice" of contemporary music from that vast country. Minimalism, as one might expect, featured. Jennifer Higdon's Smash (2005) opened with what felt like a celebration of our obsession with speed.