Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Prélude in gis-Moll, Op.32 Nr.12

The Russian teenager makes her Carnegie Hall debut in a formidable programme that includes works by Chopin, Prokofiev and Franck.

The RPO, in great form under Petrenko, deliver exciting Auerbach and propulsive Elgar, with Lugansky shining bright in Rachmaninov. 

Never mind the piano concerto marathons, 2023 will not see a finer anniversary tribute to Rachmaninov than this song recital.

Written for a large virtuoso orchestra, Ravel himself reduced La Valse's teeming complexity to a very difficult piano solo – it is not uncommon to find “complete” live or recorded surveys of the composer’s piano music which simply omit it. But it held no terror for this artist.

If you're dreaming of a White Christmas, what better way to be guaranteed of snow than taking a trip to Russia with the BBC Symphony Orchestra?

Evgeny Kissin gave a performance of immense power, energy and musical intellect in Beethoven's monumental Hammerklavier and a selection of Rachmaninov Preludes.

Achúcarro se decantó por una enfoque íntimo y pausado que llenó al Auditorio de un ambiente absolutamente mágico e introspectivo.

Stepping in for the indisposed Cédric Tiberghien, the Ukrainian-born Australian pianist Alexander Gavrylyuk wowed Wigmore Hall’s lunchtime audience with a debut concert replete in masterful displays of pianism, in the purest meaning of the word.Gavrylyuk is a concert pianist in the traditional sense.

The virtuoso pianist Marc-André Hamelin played a program of works by Bach, Fauré, Ravel and Rachmaninov, bracketed by his own Variations on a theme by Paganini. Last March in Toronto, when Hamelin snuck this piece into the program as an encore, I wrote that it was “ten minutes of the most fun you’ll ever have crowding around a piano at the end of party.

His build is blocky like the hockey defense-man he once was, but Denis Matsuev’s fingers can touch piano keys lightly as butterflies landing on begonias. The mood of his solo recital opened blissfully, like the January night by the fireplace described in Puskin’s poem “By the Hearth” which inspired the first of the twelve monthly miniatures Tchaikovsky published as The Seasons, Op. 37b.

With more than 30 million YouTube channel views, there is simply no doubt that Valentina Lisitsa is already a classical music star to contend with.