| Puccini, Giacomo (1858-1924) | Madama Butterfly (Semi-staged performance) | Libretto von Luigi Illica, Giuseppe Giacosa |
| Sir Mark Elder | Musikalische Leitung | |
| Gerard Jones | Regie | |
| The Hallé | ||
| RNCM Opera Chorus | ||
| Eri Nakamura | Sopran | Cio-Cio San |
| Thomas Atkins | Tenor | Pinkerton |
| Vladislav Sulimsky | Bariton | Sharpless |
| Ann Taylor | Mezzosopran | Suzuki |
| Jihoon Kim | Bass | Bonze |
| Alasdair Elliott | Tenor | Goro |
| Ashley Riches | Bariton | Prince Yamadori |
| Katie Coventry | Mezzosopran | Kate Pinkerton |
| Eri Nakamura | Sopran | Cio-Cio-San (Madama Butterfly) |
| Thomas Atkins | Tenor | Pinkerton |
| David Bižić | Bariton | Sharpless |
| Ann Taylor | Mezzosopran | Suzuki |
| Katie Coventry | Mezzosopran | Kate Pinkerton |
| Alasdair Elliott | Tenor | Goro |
| James Cleverton | Bariton | Fürst Yamadori |
| Jihoon Kim | Bass | Onkel Bonze |
During Sir Mark’s tenure as Music Director, the Hallé’s semi-staged operas have become legendary; he’s long wanted to perform with the orchestra what he feels is Puccini’s greatest score, Madama Butterfly. When Puccini saw Belasco’s play Madame Butterfly: A Tragedy of Japan in 1900, he instantly knew its operatic potential. Although its premiere at La Scala two years later wasn’t a success, it rapidly became an essential part of the repertoire of opera houses worldwide. A story of love betrayed, at its heart is the gentle heroine Cio-Cio San (‘Butterfly’ of the title); her aria Un bel di vedremo, and the ‘Humming Chorus’ are but two of the opera’s glorious inspirations. A world-class cast is led by the young Japanese soprano Eri Nakamura who has captivated audiences at Covent Garden establishing her international reputation.
