Puccini, Giacomo (1858-1924) | Madama Butterfly (Semi-staged performance) | Livret de Luigi Illica, Giuseppe Giacosa |
Sir Mark Elder | Direction | |
Gerard Jones | Mise en scène | |
The Hallé | ||
RNCM Opera Chorus | ||
Eri Nakamura | Soprano | Cio-Cio San |
Thomas Atkins | Ténor | Pinkerton |
Vladislav Sulimsky | Baryton | Sharpless |
Ann Taylor | Mezzo-soprano | Suzuki |
Jihoon Kim | Basse | Bonze |
Alasdair Elliott | Ténor | Goro |
Ashley Riches | Baryton | Prince Yamadori |
Katie Coventry | Mezzo-soprano | Kate Pinkerton |
Eri Nakamura | Soprano | Cio-Cio-San (Madama Butterfly) |
Thomas Atkins | Ténor | Pinkerton |
David Bižić | Baryton | Sharpless |
Ann Taylor | Mezzo-soprano | Suzuki |
Katie Coventry | Mezzo-soprano | Kate Pinkerton |
Alasdair Elliott | Ténor | Goro |
James Cleverton | Baryton | Prince Yamadori |
Jihoon Kim | Basse | Le Bonze |
During Sir Mark’s tenure as Music Director, the Hallé’s semi-staged operas have become legendary; he’s long wanted to perform with the orchestra what he feels is Puccini’s greatest score, Madama Butterfly. When Puccini saw Belasco’s play Madame Butterfly: A Tragedy of Japan in 1900, he instantly knew its operatic potential. Although its premiere at La Scala two years later wasn’t a success, it rapidly became an essential part of the repertoire of opera houses worldwide. A story of love betrayed, at its heart is the gentle heroine Cio-Cio San (‘Butterfly’ of the title); her aria Un bel di vedremo, and the ‘Humming Chorus’ are but two of the opera’s glorious inspirations. A world-class cast is led by the young Japanese soprano Eri Nakamura who has captivated audiences at Covent Garden establishing her international reputation.