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Performer: Andrew O'Connor

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SydneySemele

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Händel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
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Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen

The Fairy Queen © Cassandra Hannagan
A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney. 
****1
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Black comedy of the highest order: Festen at The Royal Opera

Allan Clayton (Christian) © RBO | Marc Brenner
Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.
*****
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Julius Caesar – or some of it – from Pinchgut Opera

Samantha Clarke (Cleopatra) and Tim Mead (Giulio Cesare) © Brett Boardman
Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield. 
***11
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Baroque opera resurrected at Pinchgut: Legrenzi's Giustino

Jacob Lawrence (Emperor) and Madeleine Pierard (Empress) © Cassandra Hannagan
Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.
*****
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Sublime performance of Buxtehude by Pinchgut Opera

Pinchgut Opera's Membra Jesu Nostri © Albert Comper
A wonderful night of late 17th-century music by the somewhat obscure German composer Dietrich Buxtehude is brought to radiant life by Erin Helyard and the Pinchgut Opera company.
*****
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Maria Agresta captivates in latest ROH revival of Madama Butterfly

Maria Agresta (Cio-Cio-San) © ROH | Tristram Kenton
A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.    
***11
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