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Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
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A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Black comedy of the highest order: Festen at The Royal Opera
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Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.
Julius Caesar – or some of it – from Pinchgut Opera
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Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield.