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SydneySemele
Haendel: Semele
Erin Helyard; Neil Armfield; Pinchgut Opera; Alexander Berlage; Orchestra of the Antipodes; Cantillation; Eugene Lynch
Critiques récentesEn voir plus...
Netia Jones directs Pinchgut Opera in a well-oiled Fairy Queen
A rare 17th-century English Baroque spectacular, designed to delight the Restoration crowd, is given a contemporary twist in Sydney.
Black comedy of the highest order: Festen at The Royal Opera
Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.
Julius Caesar – or some of it – from Pinchgut Opera
Handel's Giulio Cesare is heavily abridged in Sydney, but generally well-performed musically, albeit with a rather awkward staging by Neil Armfield.
Baroque opera resurrected at Pinchgut: Legrenzi's Giustino
Unseen since the 18th Century apart from one night in Germany, Legrenzi's Giustino deserves to re-enter the repertoire after its revival by Pinchgut Opera's Erin Helyard.
Sublime performance of Buxtehude by Pinchgut Opera
A wonderful night of late 17th-century music by the somewhat obscure German composer Dietrich Buxtehude is brought to radiant life by Erin Helyard and the Pinchgut Opera company.
Maria Agresta captivates in latest ROH revival of Madama Butterfly
A mixed bag of performances at Covent Garden, but with an outstanding Butterfly who brings ample rewards to an evening where the emotional temperature eventually soars.