Neue Kritikenmehr...
Parmesan hits the pasta in Garsington's new Barbiere di Siviglia
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Come for the shave, stay for the comedy. Christopher Luscombe's new production of Rossini's beloved opera buffa avoids overcomplicating the plot, letting the work's humour and the abilities of the principals shine.
Seattle Opera’s fast-track Don revealed in stark black and white
Cut-down Mozart meets monochrome cinema. This certainly won’t be the most sumptuous Don you’ll ever see, but it is committed, imaginative and admirably compact.
Mostly Mozart concludes with a deeply-felt Requiem
The Mostly Mozart Festival ended its season with an all-Mozart program centered on the Requiem. Paired with that was a piano concerto with Stephen Hough and the rarely-heard Meistermusik.