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Ton américano-voltairien pour un optimisme musical : Candide au Théâtre du Capitole
Pour la production de ce Candide, le Capitole recevait un plateau et une équipe presque entièrement issus des milieux américains, faisant souffler dans l’enceinte du théâtre un vent de fraîcheur et de nouveauté.
Parmesan hits the pasta in Garsington's new Barbiere di Siviglia
Come for the shave, stay for the comedy. Christopher Luscombe's new production of Rossini's beloved opera buffa avoids overcomplicating the plot, letting the work's humour and the abilities of the principals shine.
Seattle Opera’s fast-track Don revealed in stark black and white
Cut-down Mozart meets monochrome cinema. This certainly won’t be the most sumptuous Don you’ll ever see, but it is committed, imaginative and admirably compact.
Mostly Mozart concludes with a deeply-felt Requiem
The Mostly Mozart Festival ended its season with an all-Mozart program centered on the Requiem. Paired with that was a piano concerto with Stephen Hough and the rarely-heard Meistermusik.
Questions unanswered in a Così fan tutte revival in Chicago
Synergies between singers compensated for accurate but unexciting orchestral playing.
Utterly unmissable Margherita at Wexford
Foroni's forgotten gem, Margherita makes a welcome return at Wexford Festival Opera. A superlative cast, a charming production and glorious music make this a must-see event in this year's festival.