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Performer: Andris Nelsons

Biographie

Andris Nelsons

Andris Nelsons becomes the Boston Symphony Orchestra’s Ray and Maria Stata Music Director in September 2014, following a year as Music Director Designate. In his first season as its fifteenth music director, he will lead the orchestra in ten programs at Symphony Hall, repeating three of them at Carnegie Hall in New York. He made his BSO debut in March 2011 at Carnegie Hall with Mahler’s Symphony No. 9, in place of James Levine, whom he succeeds as music director. He made his Tanglewood debut in July 2012—conducting both the BSO and Tanglewood Music Center Orchestra as part of Tanglewood’s 75th Anniversary Gala—and his Symphony Hall debut in January 2013. Maestro Nelsons’ Boston appointment affirms his place among today’s most sought-after conductors; he is acclaimed for his work in both concert and opera, with such distinguished institutions as the Berlin Philharmonic, Vienna Philharmonic, Amsterdam’s Royal Concertgebouw Orchestra, the Gewandhaus Orchestra of Leipzig, the Bavarian Radio Symphony, Philharmonia Orchestra, Vienna State Opera, Metropolitan Opera, Bayreuth Festival, and the Royal Opera House, Covent Garden. His tenure since 2008 as music director of the City of Birmingham Symphony Orchestra has encompassed major tours worldwide, as well as regular summer festival appearances, and an ongoing project to record the complete orchestral works of Tchaikovsky and Richard Strauss for Orfeo International. He is also the subject of a recent DVD from Orfeo, a documentary film entitled “Andris Nelsons: Genius on Fire.”

Born in Riga, Latvia, in 1978 to a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. Prior to his position with the CBSO, he was principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of the Latvian National Opera from 2003 to 2007.

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BostonAndris Nelsons conducts Grieg and Mahler

Grieg, Mahler
Boston Symphony Orchestra; Andris Nelsons; Leif Ove Andsnes; Genia Kühmeier

New York CityBoston Symphony Orchestra

Grieg, Mahler
Boston Symphony Orchestra; Andris Nelsons; Genia Kühmeier; Leif Ove Andsnes

BostonAndris Nelsons conducts Maskats, Tchaikovsky, Grigorjeva, and Shostakovich

Maskats, Tschaikowsky, Grigorjeva, Schostakowitsch
Boston Symphony Orchestra; James Burton; Daniel Lozakovich; Tanglewood Festival Chorus; Andris Nelsons

BostonAndris Nelsons conducts Maskats, Tchaikovsky, Grigorjeva, and Shostakovich

Maskats, Tschaikowsky, Schostakowitsch
Boston Symphony Orchestra; James Burton; Daniel Lozakovich; Tanglewood Festival Chorus; Andris Nelsons

BrusselsNelsons conducts Beethoven

Nelsons conducts Beethoven
Beethoven, Dean, Skrjabin
Royal Concertgebouw Orchestra; Andris Nelsons; Håkan Hardenberger; Pierre-Laurent Aimard; Netherlands Radio Choir (Groot Omroepkoor)
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Tradition verpflichtet: Andris Nelsons und das Gewandhausorchester

Andris Nelsons © Marco Borggreve
Die große Tradition des Orchesters wird mit Werken von Schumann und Mendelssohn in frischer Aufmachung deutlich.
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Auf der Suche nach dem ewigen Licht: Mahlers Zweite mit Andris Nelsons

Andris Nelsons © Monika Rittershaus
In einem souveränen Mahler fegt der lettische Dirigent gleich zu Beginn jeden Schönklang hinweg.
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Jazziges und ein russisches Meisterwerk mit dem BSO in Luzern

Baiba Skride © Lucerne Festival | Patrick Huerlimann
Nelsons präsentiert mit den Bostonern eine hinreißende Vierte Schostakowitschs. Als Kontrast vorab interpretiert Baiba Skride die selten gespielte Serenade von Bernstein.
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Immer das gute Ende im Blick: Andris Nelsons dirigiert Mahler

Andris Nelsons © Musikfest Berlin I Kai Bienert
Das Boston Symphony Orchestra bietet beim Musikfest Berlin eine beeindruckende Aufführung Mahlers Dritten Symphonie, die bis „zur Liebe Gottes" führt.
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Schwanenfahrt: Lohengrin in Covent Garden

Jennifer Davis (Elsa) und Klaus Florian Vogt (Lohengrin) © ROH | Clive Barda
David Aldens Neuinszenierung am Royal Opera House, die ans faschistische Deutschland anspielt, ist eintönig, aber es gibt musikalische Entschädigungen.
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