An especially memorable Messiah from the Dunedin Consort

Von David Smythe, 15 Dezember 2022

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“less was not only much more but gave fresh insights into one of the most well-known classical works”

Rezensierte Veranstaltung: St Mary's Cathedral, Glasgow, am 14 Dezember 2022

Händel, Messias

Rachel Redmond, Sopran

Helen Charlston, Mezzosopran

Guy Cutting, Tenor

Michael Mofidian, Bassbariton

Dunedin Consort

John Butt, Direktor

The Dunedin Consort Messiah remains a welcome seasonal speciality

David Smythe, 18th December

The Dunedin Messiah, a speciality with Baroque instruments, is given with soloists Nardus Williams, Lotte Betts-Dean, Joshua Ellicott and Dingle Yandell in Perth, directed by John Butt.

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Leipzig 300: Dunedin Consort explores the Thomaskantor shortlist

David Smythe, 7th February

The Dunedin Consort explores the 1723 Thomaskantor shortlist: Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach in a programme directed by John Butt.

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Troubled times reflected in Songs of War I Have Seen

David Smythe, 13th October

Composed for Baroque and modern players with Gertrude Stein’s spoken text, Heiner Goebbels Songs of War I Have Seen in an intriguing performance conducted by Ellie Slorach.

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Authenticity and enjoyment in Dunedin Consort's Acis and Galatea

David Smythe, 22nd June

Rachel Redmond is a sweet voiced Galatea in the Dunedin Consort's performance of the Cannons version of Acis and Galatea in Perth.

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Evangelical fervour: Dunedin Consort's St Matthew Passion

Roy Westbrook, 12th April

Tenor Nicholas Mulroy directs a one-voice-to-a-part account of Bach's St Matthew Passion, featuring some splendid singing.

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Trials of love told vividly by the Dunedin Consort in Edinburgh

David Smythe, 25th February

John Butt and the Dunedin Consort are joined by Anna Dennis and Matthew Brook in “Trials of Love”, two Baroque cantatas illustrating the perils of infatuated love from Scarlatti and Handel.

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David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.

An especially memorable Messiah from the Dunedin Consort in Glasgow